Digitising Lives - of People,
Places, Facts and Things
Workshop organized by:
Maastricht Virtual Knowledge Studio
8 April 2009, 12.00 -18.00
Spiegelzaal, Soirongebouw
Grote Gracht 82
Please note that the workshop is full. Please get in touch with José Cornips (details on
contact page) if you would like to see whether there is room for additional participants.
Background informationIn this half-day workshop we want to examine the intersection of two processes central to contemporary society: the emergence of the reflexive self and the digitisation of everyday life. Both of these are not only important features of late modernity but are also crucial for how we study it. Giddens (1991) and others have argued that in modern societies people need to work, constantly and reflexively, on their biographies in order to create coherence and meaning in a rapidly changing globalised world. An important source of change is the development, use and diffusion of information and communication technologies (ICTs). At a global level, ICTs are understood as determining post-industrial development whilst, at the same time, governments and organisations argue that the push to use ICTs in the production of goods and services is simply a rational response to the coming of the 'information society'.
The 'biographical turn' in the social sciences and humanities, visible since the 1980s, can be understood as a shift concomitant to the emergence of the reflexive self. The 'biographical turn' can also be understood as a reaction against traditional forms of research, which tend to marginalise the perspectives of individuals/social actors/subjects or to reduce them to overly abstract or overly determined demographic and social processes. The 'biographical turn' is motivated by an explicit intent to bring the lived multiplicity of identity into view, and to understand it in relation to transformations in late- or post-modern societies, without reducing them to such transformations.
The digitisation of the life world is in itself an important object of research but digitisation also has the potential for changing the methods by which knowledge is produced. Thus, a parallel between changes in lived experience and changes in research methods can again be observed. Digital technologies are increasingly being taken up in the production of the self as new applications such as blogs, social networking, video- and photo-sharing sites offer people opportunities to document and share the meaningful and mundane moments of their ordinary lives. These applications offer new challenges and opportunities to researchers.
The biographical turn is not confined to understanding how individuals make sense of the world in which they live. The notion of 'biography' has been taken up in other fields to capture the ways in which organisations, places, art works, facts and things develop an identity and/or travel through time and space. Processes of digitisation, including the development of digital archives as well as 'web 2.0' applications also affect research processes, not least in the ways in which researchers and others all have the possibility to contribute material.
What does the digitisation of information, whether company archives, personal holiday photos or documentation associated with buildings or artworks, mean for the ways in which biographies of people, places, facts and things are constructed, written and presented? The questions raised by the digitisation of knowledge production are central to the work of the Virtual Knowledge Studio. This workshop will enable all those associated with the VKS or interested in its activities to explore these ideas.
What follows is not a list of 'required' reading, but rather a very partial list. Auto/biography has exploded as a genre in recent years. Not only do celebrities (ghost)write their biographies at an alarmingly young age, but 'biography' is being used to describe accounts of cities and rivers (London & Thames, both by Peter Ackroyd), fish (cod by Mark Kurlansky), ideas (zero by Charles Seife). One question to consider is why 'biography' has come to be so popular, what does it offer over other ways of conceptualizing how people, places and things change over time, such as career, life course, trajectory? Another small genre is the ways in which the lives of people and things are intertwined, such as in Sherry Turkle's recent collection,
The Inner History of Devices, or the volume Sally Wyatt contributed to a number of years ago called
Cyborg Lives? Women's Technobiographies (edited by Flis Henwood et al). Such volumes are clearly informed by anthropological work, particularly the much-cited collection edited by Arjun Appadurai,
The Social Life of Things, and the chapter therein by Igor Kopytoff, 'The cultural biography of things'. The digitization of everyday life is picked up in some of these, but not all. There are different ways that it could be - for example, the affective relationships many people have with digital technologies (this appears in both the Henwood et al and Turkle collections). As well as that, it is important to consider the ways in which digitalization affects how biographical or narrative research can be conducted - is new material made available, what kinds of ethical considerations arise by making things public or by collecting digitally-produced data about people's lives? In Modernity & Self-Identity Giddens reflects on the difficulties of maintaining a coherent identity in late modernity. Has it suddenly become much easier as the possibilities for documenting one's life have become so diffused, or does the task of constant re-interpretation of one's life actually become more difficult if there are so many more digital traces of it?
The purpose of the day is to explore these and other themes, to learn more about what one another is doing, to develop ideas for future research individually or together and to think about other activities such as a larger conference or publication.
Homework for all participantsErnest Hemingway once wrote a short story of only six words: 'For sale: Baby shoes, never used.' He claimed it was his best work.
All participants (and not just the speakers) are invited to think of a six word biography, of a person, object, place or idea of their choice.
Programme12:00-12.30 Arrival and lunch
12.30-12.45 Welcome & introduction by Sally Wyatt
12.45-13:00 Jan Kok Digital Collective Biographies: Gains and Losses
13:00-13.15 Maaike Meyer Lost and Found and Lost Again: The Digital Labyrinth
13.15-13.30 Vivian van Saaze Conservation of Contemporary Art and the Concept
of Biography
13.30-13.45 Pieter Caljé The Cultural Biography of Maastricht: Theoretical Use and
Practical Implementation of a Concept
13.45-14:00 Bas van Heur From Digital to Analogue: Institutional Dynamics of Heritage
Innovation
14:00-14.15 Stefan Dormans Studying Sideways on the Sidewalk
14.15-14.30 General discussion
14.30-15:00 Tea
15:00-15.15 Charles van den Heuvel Digitizing Experience in Web Archives and Digital
Repositories for Reminiscence and Remembrance
15.15-15.30 Jan Bierhoff The Newspaper of the Future
15.30-15.45 Sara Kjellberg Being a Blogging Researcher
15.45-16:00 Ike Kamphof Webcams to Save Nature. Technospace as Affective and Ethical
Space
16:00-16.15 Niels van Doorn Gendered Networks: Performative Subjectivity in Digital
Culture
16.15-16.30 Jason Pridmore Branding Consumers: Consumer Surveillance and the
'Informatization' of Everyday Life
16.30-16.45 Irma van der Ploeg Ubiquitous Identification: Concepts of Identity in a Digital
Culture
16.45-17:00 General discussion
17:00-17.30 Overall discussion
17.30-18:00 Next steps and close - and reception