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    <title>Media puzzled</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/" />
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    <id>tag:www.fdcw.org,2007-09-09:/0708/mukengekabongo//198</id>
    <updated>2007-09-28T13:55:37Z</updated>
    
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<entry>
    <title>Welcome</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2009/09/welcome.html" />
    <id>tag:www.fdcw.org,2009:/0708/mukengekabongo//198.4696</id>

    <published>2009-09-14T16:20:25Z</published>
    <updated>2007-09-28T13:55:37Z</updated>

    <summary> Welcome to my blog! Feel free to comment, ask and criticise so I find new ways through the chaos of thoughts, ideas and questions about media and culture, culture, media culture, conversion culture, cultural convergence, multiculture, digital culture......</summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="istock_000003089039xsmall.jpg" src="http://www.fdcw.org/0708/mukengekabongo/istock_000003089039xsmall.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="282" width="425" /></span><div><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />

<p class="MsoNormal"><span style="font-size: 12pt; font-family: &quot;Times New Roman&quot;;" lang="EN-GB">Welcome to
my blog!<br />
Feel free to comment, ask and criticise so I find new ways through the chaos of
thoughts, ideas and questions about media and culture, culture, media culture,
conversion culture, cultural convergence, multiculture, digital culture...<o:p></o:p></span></p>

<br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>A fairy tale ...Convergence Culture- Once upon a time...</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2008/09/a-fairy-tale-convergence-cultu.html" />
    <id>tag:www.fdcw.org,2008:/0708/mukengekabongo//198.4819</id>

    <published>2008-09-28T13:24:31Z</published>
    <updated>2007-09-28T13:25:58Z</updated>

    <summary>Once upon a time, somewhere between Christmas and Easter there lived a little girl in a very rare land as you might not find it today, unless you search for it. In that land everything was very simple: One TV,...</summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[<span style="font-size: 12pt; font-family: &quot;Times New Roman&quot;;" lang="EN-GB">Once upon a time,
somewhere between Christmas and Easter there lived a little girl in a very rare
land as you might not find it today, unless you search for it. In that land
everything was very simple: One TV, one channel, one phone, one phone company,
one phone service provider, one newspaper available in one newspaper shop.
Well, you can imagine how the list continues.</span> ]]>
        <![CDATA[

<p class="MsoNormal"><span style="" lang="EN-GB">Generally,
people were happy in that land and if they weren't, they knew who to complain
to. They also knew it wouldn't help much, but they still complained even if
they did not demand new or better services. They only new what they were
getting and it was not worse than any other place they knew of. Things were
simple: If you were looking for current news, you could watch the one channel
or read the one newspaper. And whatever they did not find in it because the
people at the channel or at the newspaper did not think it was worse including,
then well they would not mind, because they did not know.<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">However,
there were some people that wanted more, wanted choice, wanted some control
over what they consumed. As well as the little girl. Hence, she set out to see
what lies beyond the one channels and the phone company and it took here like
20 years to find what she was looking for. <o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">And it was
indeed worth her waiting:<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">She has
switched the phone company like 4 times already and loves the fact that she can
do it! And, she can watch movies and even tinker with them herself and publish
them and she can watch as many channels as she likes from all over the world.
And not only on Television. No! She can watch them on her PC, in her car, and
on<span style="">&nbsp; </span>her cell phone, which luckily cannot
only be used to call and receive calls wherever she is, she can also sms, mms,
serve the net, download tunes or do her banking...and so she lives happily ever
after?<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">No- because
there is always, better, more practical, multifunctional, user friendly,
portable, the latest, interactive new stuff...devices, integrations, technologies,
hardware...so there is no real THE END in sight...but I will make sure to upgrade
it if I get a better version (;<o:p></o:p></span></p>

]]>
    </content>
</entry>

<entry>
    <title>About Me...and the media</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2008/09/about-meand-the-media.html" />
    <id>tag:www.fdcw.org,2007:/0708/mukengekabongo//198.4634</id>

    <published>2008-09-13T16:59:47Z</published>
    <updated>2008-02-19T08:46:37Z</updated>

    <summary>I completed an original study on the intercultural communication and integration through media in Namibia using 2 popular soap opera as example and teachers as a research population. The study was published in April 2007 in the issue of the NID&apos;s (Namibia institute for Democracy) publication &apos;Analyses And Views&apos;. Unfortunately it is not available online yet.

As coming from a multicultural background myself I am very interested in the way identities are formed and understood in this new &apos;connected society&apos;. Four years of study in Namibia have however &apos;sobered&apos; my idea of connectedness concerning the internet, as the access is even at the university not as simple and cheap as it is in Europe.
That is not to say that Namibians are not influenced by this development.
I try to keep in touch with my research supervisors Professor Kingo Mchombu and Robin Tyson as I believe that I can share some newly learned insights of new ideas, strategies and experiences I hope to gain from the MA in Media Culture in Maastricht.
I wrote them about the PBL approach as we also constantly integrated group work in the learning process.

I am explaining all that because I often compare situations described in the text to my experience in Namibia. And while obviously I still am/was an outsider coming into the country , hence my understanding remains a outsider interpretation, I feel that I gained different perspectives about media and communication in general and sometimes trying to find alternative approaches to a discussion that is mainly influenced by scholars and viewpoints of &apos;developed countries&apos;.
</summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><font size="3"><font color="#000000"><font face="Times New Roman">
<span class="mt-enclosure mt-enclosure-image"><img class="mt-image-left" style="FLOAT: left; MARGIN: 0px 20px 20px 0px" height="180" alt="coffeLover Kopie.jpg" src="http://www.fdcw.org/0708/mukengekabongo/coffeLover%20Kopie.jpg" width="168" /></span>My name is Sophie Mukenge Kabongo. Well, actually in full it is: Katanda Sophie Esperance Mukenge Kabongo.<?xml:namespace prefix = o /><o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><font size="3"><font color="#000000"><font face="Times New Roman">I was born in <?xml:namespace prefix = st1 /><st1:City w:st="on">Cologne</st1:City>, <st1:country-region w:st="on">Germany 25 years ago</st1:country-region>, did my A-level in <st1:City w:st="on">Leverkusen</st1:City>, still in <st1:country-region w:st="on">Germany,</st1:country-region> went to <st1:country-region w:st="on">Spain</st1:country-region> to study Spanish in <st1:City w:st="on">Malaga</st1:City> and then finished a 4 year bachelor degree at the <st1:place w:st="on"><st1:PlaceType w:st="on">University</st1:PlaceType> of <st1:PlaceName w:st="on">Namibia</st1:PlaceName></st1:place> (UNAM) in French Studies and Media Studies. If you are interested you can follow the link and see the UNAM web page (</font></font></font></span><a href="http://www.unam.na/">check</a><span lang="EN-GB"><font size="3"><font color="#000000"><font face="Times New Roman">).</font></font></font></span><span lang="EN-GB"><font size="3"><font color="#000000"><font face="Times New Roman"><span lang="EN-GB"><font size="3"><font color="#000000"><font face="Times New Roman">I completed an original study on intercultural communication and integration through media in <st1:country-region w:st="on"><st1:place w:st="on">Namibia</st1:place></st1:country-region> using 2 popular soap opera as example and teachers as a research population. The study was published in April 2007 in the issue of the NID's (<st1:country-region w:st="on"><st1:place w:st="on">Namibia</st1:place></st1:country-region> Institute for Democracy) publication 'Analyses And&nbsp;</font></font></font></span></font></font></font></span><span lang="EN-GB"><font size="3"><font color="#000000"><font face="Times New Roman"><span lang="EN-GB"><font size="3"><font color="#000000"><font face="Times New Roman">Views'. It is available online <a href="http://www.nid.org.na/pub_docs/AVVol4No1Kabongo.pdf">here</a>. <o:p></o:p></font></font></font></span><o:p></o:p></font></font></font></span></p>
<div><br /></div>
<div><br /></div>
<div><br /></div>]]>
        <![CDATA[<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><font size="3"><font color="#000000"><font face="Times New Roman">As coming from a multicultural background myself I am very interested in the way identities are formed and understood in this new 'connected society'. Four years of study in <?xml:namespace prefix = st1 /><st1:country-region w:st="on">Namibia</st1:country-region> have however 'sobered' my idea of connectedness concerning the internet, as the access is even at the university not as simple and cheap as it is in <st1:place w:st="on">Europe</st1:place>.<?xml:namespace prefix = o /><o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><font size="3"><font color="#000000"><font face="Times New Roman">That is not to say that Namibians are not influenced by this development.<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><font size="3"><font color="#000000"><font face="Times New Roman">I try to keep in touch with my research supervisors Professor Kingo Mchombu and Robin Tyson as I believe that I can share some newly learned insights of new ideas, strategies and experiences I hope to gain from the MA in Media Culture in <st1:City w:st="on"><st1:place w:st="on">Maastricht</st1:place></st1:City>.<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><font size="3"><font color="#000000"><font face="Times New Roman">I wrote them about the PBL approach as we also constantly integrated group work in the learning process.<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><font size="3"><font color="#000000"><font face="Times New Roman">I am explaining all that because I often compare situations described in the text to my experience in <st1:country-region w:st="on"><st1:place w:st="on">Namibia</st1:place></st1:country-region>. And while obviously I still am/was an outsider coming into the country , hence my understanding remains a outsider interpretation, I feel that I gained different perspectives about media and communication in general and sometimes trying to find alternative approaches to a discussion that is mainly influenced by scholars and viewpoints of 'developed countries'.<o:p></o:p></font></font></font></span></p>]]>
    </content>
</entry>

<entry>
    <title>Blog-thesis...</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2008/06/blogthesis.html" />
    <id>tag:www.fdcw.org,2008:/0708/mukengekabongo//198.6475</id>

    <published>2008-06-16T10:41:47Z</published>
    <updated>2008-06-16T10:47:10Z</updated>

    <summary><![CDATA[Here is&nbsp;the link to the blog I did for my thesis..It is in German but you can also find the thesis there (in English) and some other things you do not need German for...So, you should really have a look...]]></summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[<a href="http://www.kolo-nie.blogspot.com/">Here</a> is&nbsp;the link to the blog I did for my thesis..It is in German but you can also find the thesis there (in English) and some other things you do not need German for...So, you should really have a look (:]]>
        
    </content>
</entry>

<entry>
    <title>New Public Spheres- Here is my paper</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2008/02/new-public-spheres-paper.html" />
    <id>tag:www.fdcw.org,2008:/0708/mukengekabongo//198.5195</id>

    <published>2008-02-01T08:34:28Z</published>
    <updated>2008-03-06T09:50:34Z</updated>

    <summary>FREEDOM AND RESTRICTIONS OF SPEECH: Hate Speech in Germany The main question discussed in this paper is: Is Germany&apos;s restriction of freedom of speech patronizing the political maturity (Mündigkeit) and the understanding of democracy of German citizens by undermining the...</summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%" align="center"><font face="Times New Roman" color="#000000" size="3"><strong>FREEDOM AND RESTRICTIONS OF SPEECH:</strong></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%" align="center"><font face="Times New Roman" color="#000000" size="3"><strong>Hate Speech in Germany</strong></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">The main question discussed in this paper is:</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Is <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place>'s restriction of freedom of speech patronizing the political maturity (Mündigkeit) and the understanding of democracy of German citizens by undermining the right to debate all topics? Or is it justified in the name of democracy? </font></p>
<p>&nbsp;</p>]]>
        <![CDATA[<h1 style="MARGIN: 12pt 0cm 3pt; LINE-HEIGHT: 150%"><a name="_Toc190412511"><span style="FONT-FAMILY: 'Times New Roman'"><strong><font color="#000000" size="5">Part I: Introduction</font></strong></span></a><span style="FONT-FAMILY: 'Times New Roman'"><o:p></o:p></span></h1>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font color="#000000"><font face="Times New Roman"><font size="3">In Germany Volksverhetzung (agitation of the people) including</font><span lang="EN-GB" style="FONT-SIZE: 10pt; LINE-HEIGHT: 150%; FONT-FAMILY: BaskervilleMT; mso-ansi-language: EN-GB; mso-fareast-language: DE; mso-bidi-font-family: BaskervilleMT"> "</span><span lang="EN-GB" style="mso-ansi-language: EN-GB; mso-fareast-language: DE"><font size="3">incitement to hatred, violence and arbitrary acts against segments of the population, attacking human dignity by insulting, maliciously degrading, or defaming segments of the population, as well as the dissemination of publications or broadcasts inciting to national, racial, religious or ethnic hatred"(Brems, 2002, p. 488) is forbidden. </font></span><font size="3">Even if this infringes the freedom of speech this law allegedly protects democracy and civility.</font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Consequently, the main question discussed in this paper is:</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Is <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place>'s restriction of freedom of speech patronizing the political maturity (Mündigkeit) and the understanding of democracy of German citizens by undermining the right to debate all topics? Or is it justified in the name of democracy? </font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font size="3"><font color="#000000"><font face="Times New Roman"><span style="mso-bidi-font-weight: bold">There are contrasting points of view about the issue of whether restrictions to freedom of speech in the name of democracy still allow discussions and politically mature citizenship, necessary for a democratic society. These opposing </span>positions can be seen in Europe and <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place> as compared to the United States (US). They imply a different understanding and value attached to freedom of speech and the role of the state, its citizens and how the danger of racism is assessed.<span style="mso-spacerun: yes">&nbsp; </span></font></font></font></p>
<p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><span lang="EN-GB" style="FONT-WEIGHT: normal; mso-bidi-font-weight: bold"><font size="3"><font color="#000000"><font face="Times New Roman">Restricting hate speech in <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place> seems undemocratic and dangerous from an American point of view. Conversely, not restricting racist speech from a European and German standpoint seems irresponsible and equally dangerous (Brems, 2002, p.495). Accordingly, these two standpoints will be discussed in the paper.<o:p></o:p></font></font></font></span></p>
<p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN-GB" style="mso-bidi-font-weight: normal"><o:p><strong><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></strong></o:p></span></p>
<p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN-GB" style="FONT-WEIGHT: normal"><font size="3"><font color="#000000"><font face="Times New Roman">It is essential to evaluate these contrasting views by firstly establishing prerequisites for democracy and debate or rational discourse as Habermas calls it. This means that a normative framework needs to be outlined and key terms need to be defined.<o:p></o:p></font></font></font></span></p>
<p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font size="3"><font color="#000000"><font face="Times New Roman"><span lang="EN-GB" style="FONT-WEIGHT: normal; mso-bidi-font-weight: bold">Secondly</span><span lang="EN-GB" style="FONT-WEIGHT: normal">, it is useful to compare the justification for the German solution for the prohibition of hate speech with the <st1:place w:st="on"><st1:country-region w:st="on">US</st1:country-region></st1:place> approach. <o:p></o:p></span></font></font></font></p>
<p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font size="3"><font color="#000000"><font face="Times New Roman"><span lang="EN-GB" style="FONT-WEIGHT: normal; mso-bidi-font-weight: bold">Thirdly</span><span lang="EN-GB" style="FONT-WEIGHT: normal">, it has to be considered how the internet changes the discussion as it makes the propagation of neo-Nazi ideologies less controllable for authorities. It will be considered how hate speech on the internet is dealt with.</span><span class="MsoCommentReference"><span style="FONT-WEIGHT: normal; FONT-SIZE: 8pt; LINE-HEIGHT: 150%; mso-ansi-language: EN-US; mso-fareast-language: EN-US"><o:p></o:p></span></span></font></font></font></p>
<p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font size="3"><font color="#000000"><font face="Times New Roman"><span style="FONT-WEIGHT: normal"><span style="mso-spacerun: yes">&nbsp;</span></span><span lang="EN-GB" style="FONT-WEIGHT: normal; mso-bidi-font-weight: bold">Lastly</span><span lang="EN-GB" style="FONT-WEIGHT: normal">, the restriction to freedom of speech in <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place> has to be evaluated with regards to the prior discussion in order to answer the main question. <o:p></o:p></span></font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: center; mso-layout-grid-align: none" align="center"><i><span lang="EN" style="LINE-HEIGHT: 150%; mso-ansi-language: EN; mso-fareast-language: DE; mso-bidi-font-size: 10.0pt"><font size="3"><font color="#000000"><font face="Times New Roman">Sticks and Stones may break my bones, but words will never hurt me.<o:p></o:p></font></font></font></span></i></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: center" align="center"><font size="3"><font color="#000000"><font face="Times New Roman"><i><span lang="EN" style="LINE-HEIGHT: 150%; mso-ansi-language: EN; mso-fareast-language: DE; mso-bidi-font-size: 10.0pt">(A children's ditty)</span></i><i><span lang="EN" style="mso-ansi-language: EN"><o:p></o:p></span></i></font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: center" align="center"><i><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></i></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: center" align="center"><i><font size="3"><font color="#000000"><font face="Times New Roman">Some words hurt more than swords.<o:p></o:p></font></font></font></i></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: center" align="center"><i><font size="3"><font color="#000000"><font face="Times New Roman">(English proverb)<b><o:p></o:p></b></font></font></font></i></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><b style="mso-bidi-font-weight: normal"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></b></p>
<h1 style="MARGIN: 12pt 0cm 3pt; LINE-HEIGHT: 150%"><a name="_Toc190412512"><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><font color="#000000" size="5"><strong>Part II: Analyses</strong></font></span></a><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><o:p></o:p></span></h1>
<h2 style="MARGIN: 12pt 0cm 3pt; LINE-HEIGHT: 150%"><a name="_Toc190412513"><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><em><font color="#000000" size="5"><strong>Restrictions to freedom of speech</strong></font></em></span></a><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><o:p></o:p></span></h2>
<h3 style="MARGIN: 12pt 0cm 3pt"><a name="_Toc190412514"><span style="FONT-FAMILY: 'Times New Roman'"><strong><font color="#000000" size="4">Definition of main terms and introduction of the problem</font></strong></span></a><span style="FONT-FAMILY: 'Times New Roman'"><o:p></o:p></span></h3>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">The word democracy derives from the ancient Greek and defines in its simplest the rule by the people instead of a tyrant or aristocracy. Ideally everybody can participate in decisions, while in modern democracies people vote representatives to act on their behalves (Bruce &amp; Yealry, 2006, p.66).</font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">As explained by Christiano (2006, "Democracy: <span style="mso-bidi-font-style: italic">Stanford Encyclopedia of Philosophy") </span>democracy is founded on equality and freedom as individuals preferably debate and participate as equals in the public sphere, which is why freedom of speech is regarded as essential in liberal states.</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Freedom of speech is generally defined as the concept of being able to speak freely without censorship (McKean, 2005, "Freedom of speech: Oxford Online Reference").</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font color="#000000"><font size="3"><font face="Times New Roman">Debate on the other hand is defined as a method to argument within a framework that allows people to discuss and come up with a consensus or <span style="COLOR: black">vote (Soanes &amp; Stevenson"debate noun : Oxford Reference online").<o:p></o:p></span></font></font></font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><font color="#000000"><font face="Times New Roman"><font size="3">According to Habermas, who discusses the importance, rise and fall of the bourgeois public sphere of the 19<sup>th</sup> century, </font><span style="FONT-SIZE: 11.5pt; LINE-HEIGHT: 150%; FONT-FAMILY: Garamond-Italic; mso-bidi-font-family: Garamond-Italic; mso-bidi-font-style: italic">the public sphere refers to a spatial concept, where people can get together and discuss (Calhoun, 2002, "public sphere: Oxford Online dictionary"). Discussion or rational discourse, is hence a cornerstone of the public sphere and Habermas' concern is how to promote equal participation in rational discourse about important topics, while the public sphere was meant as a place, where politics and public issues were discussed (idem).</span></font></font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">For Habermas (1984) a situation for critical and reasonable debate, indispensable for democracy, ideally meets four basic requirements:</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Firstly, all participants must equally have the chance to start, interfere and participate in the discussion on a topic (Habermas, 1984, p.177).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Secondly, participants must have equal voice and hence be able to explain their reason and question arguments of others. According to Habermas this will detect preconceived opinions and make them accessible to debate and criticism (p.177).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Thirdly, mutual exchange of personal opinions, attitudes and feelings must be provided to guarantee that all participants are truthfully partaking in the discussion without containing themselves or deceiving others (p.178).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Fourthly, the discourse mechanisms must be free from inner or outer coercion, which would distort the course of discussion. Such coercion could for instance lead to one person being privileged and entitled to demand explanation from another participant while the other one would not have that right (p.178).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Even if this ideal speech situation might be impossible to obtain in a real debate it should be the principal and standard to measure the quality of reasonable debates (Habermas 1984, pp. 178- 182).</font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Even if the requirements for ideal speech might be difficult to meet, liberal governments make constitutional provisions for freedom of speech in order to ensure that citizens have the right to express their opinions equally.</font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">In <st1:country-region w:st="on">Germany</st1:country-region> article 5 of the constitution gives every citizen the right to free expression without censorship and equally the first amendment in the constitution of the <st1:place w:st="on"><st1:country-region w:st="on">United States</st1:country-region></st1:place> guarantees freedom of speech and press. Both constitutions uphold the protection of freedom of speech in case of aggressive or even offensive (überzogen) speech (Brugger, 2003, p.372-373).</font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font color="#000000"><font face="Times New Roman" size="3">Furthermore, freedom of expression is a basic right included in Article 19 of the Universal Declaration of Human Rights, which has since its first adoption in 1948 attained international authority</font><span style="FONT-SIZE: 10pt; LINE-HEIGHT: 150%; FONT-FAMILY: 'Arial Unicode MS'"> </span><span style="mso-fareast-font-family: 'Arial Unicode MS'"><font size="3"><font face="Times New Roman">(Coliver, 1993, pp. 8-10).<o:p></o:p></font></font></span></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span style="mso-fareast-font-family: 'Arial Unicode MS'"><font size="3"><font color="#000000"><font face="Times New Roman">However, human rights are not absolute and freedom of expression can be restricted under certain circumstances (Coliver, 1993, p.109 &amp; Brems, 2002, p.483).<o:p></o:p></font></font></font></span></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span style="mso-fareast-font-family: 'Arial Unicode MS'"><font face="Times New Roman" color="#000000" size="3">Freedom of speech is in conflict with the freedom from discrimination, which is also a fundamental human right protected in most democratic societies. The freedom from discrimination, equally essential for the participation in the public sphere is also expressed in Article 19 and article 20 of the International Covenant on Civil and Political Rights (ICCPR) and Article 4 (a) and Article 5 of the International Convention on the Elimination of all Forms of Racial Discrimination (CERD) (Iganski, 1999, pp.133, 140). </font></span></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Nevertheless, not all countries have hate speech restrictions to ensure the freedom from discrimination. The American model prioritizes freedom of speech while in <st1:country-region w:st="on">Germany</st1:country-region> together with the member States of the Council of Europe, <st1:place w:st="on"><st1:country-region w:st="on">Canada</st1:country-region></st1:place> and International law, freedom of speech is restricted when it comes to hate speech (Brugger,<span style="mso-spacerun: yes">&nbsp; </span>2003).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><font size="3"><font face="Times New Roman"><font color="#000000">Under article 20</font><span lang="EN-GB" style="COLOR: #231f20; mso-ansi-language: EN-GB; mso-fareast-language: DE"> § 2 ICCPR and article 4 of CERD, the <st1:place w:st="on"><st1:country-region w:st="on">United States</st1:country-region></st1:place> do not acknowledge any obligation to restrict their constitutionally protected freedom of speech, assembly and association ( Brems, 2002, p. 484). This also means that they will not restricting hate speech.<o:p></o:p></span></font></font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font size="3"><font color="#000000"><font face="Times New Roman">Speech qualifies as hate speech when it "insults,<span lang="EN" style="mso-ansi-language: EN"> intimidates, molests or</span><span lang="EN"> </span><span lang="EN" style="mso-ansi-language: EN">incites violence hatred and discrimination"</span><span class="MsoFootnoteReference"><span lang="EN"> </span></span><span style="mso-spacerun: yes">&nbsp;</span>(translated) <span lang="EN" style="mso-ansi-language: EN">, mostly based on race, religion, gender or sexual orientation (Zimmer in Brugger, 2003.p 373).</span></font></font></font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">The justifications and background of the two approaches will be examined further in the discussion in order to asses the German model.</font></p>
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<h2 style="MARGIN: 12pt 0cm 3pt; LINE-HEIGHT: 150%"><a name="_Toc190412515"><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><strong><em><font color="#000000" size="5">Reasonable restrictions to freedom of speech?</font></em></strong></span></a><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><o:p></o:p></span></h2>
<p class="MsoFooter" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; tab-stops: 36.0pt"><font face="Times New Roman" color="#000000" size="3">In order to discuss reasonable restrictions to freedom of speech it is important to briefly outline 2 normative approaches to the idea of freedom and the role of the state.</font></p>
<ol style="MARGIN-TOP: 0cm" type="1">
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<li class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; tab-stops: list 36.0pt; mso-list: l0 level1 lfo1"><font face="Times New Roman" color="#000000" size="3">The republican approach</font></li></ol>
<h3 style="MARGIN: 12pt 0cm 3pt; LINE-HEIGHT: 150%"><a name="_Toc190412516"><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><font color="#000000" size="4"><strong>1. Liberal approach</strong></font></span></a><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><o:p></o:p></span></h3>
<h4 style="MARGIN: 12pt 0cm 3pt; LINE-HEIGHT: 150%"><a name="_Toc190412517"><font face="Times New Roman" color="#000000" size="5"><strong>Harm Principle and offense principal</strong></font></a><strong><font face="Times New Roman" color="#000000" size="5"> </font></strong></h4>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">The strongest argument against restrictions to freedom of speech can be based on the liberal approach.</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font size="3"><font color="#000000"><font face="Times New Roman">Freedom in the liberal approach is understood as the consequence of negative liberty: freedom from state and market intervention. <st1:place w:st="on"><st1:City w:st="on">Liberty</st1:City></st1:place> is understood as the absence of obstacles (Carter, 2007, "Positive and Negative Liberty: <span style="mso-bidi-font-style: italic">Stanford Encyclopedia of Philosophy").<o:p></o:p></span></font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">In other words, freedom, including freedom of speech as an essential personal freedom, can only exist without intervention or coercion by the state.</font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">According to John Stuart Mill (in West, 2004, "Pornography and Censorship: Stanford Encyclopedia of Philosophy"), an influential liberal thinker of the 19<sup>th</sup> century, the state should have no right to interfere with the freedom of competent adults as this could lead to the "tyranny of the majority", a threat to diversity and progress and paternalistic in nature.</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Furthermore according to John Stuart Mill (in Brink, 2007,<span lang="EN" style="mso-ansi-language: EN"> "Mill's Moral and Political Philosophy:</span><i style="mso-bidi-font-style: normal"><span lang="EN"> </span></i><span style="mso-bidi-font-style: italic">Stanford Encyclopedia of Philosophy"</span>) a censored opinion might firstly be true. Secondly if it was not true entirely it might still be partly true or contain some true elements. Thirdly, even if it were completely false it challenges other opinions and beliefs. Thus through deliberation it prevents true opinions from turning into dogma, seeing that fourthly, dogmatic opinions and believes, remaining unchallenged loose its meaning (Brink, 2007, <span lang="EN" style="mso-ansi-language: EN">"Mill's Moral and Political Philosophy:</span><i style="mso-bidi-font-style: normal"><span lang="EN"> </span></i><span style="mso-bidi-font-style: italic">Stanford Encyclopedia of Philosophy"</span>).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">For John Stuart Mill speech and all kind of discussions, no matter how offensive are necessary for a functioning democracy. Therefore, restrictions to freedom of speech are only justified if they cause harm (in Mill, 2002, "Freedom of speech: Stanford Encyclopedia of Philosophy" &amp; West, 2004, "Pornography and Censorship: Stanford Encyclopedia of Philosophy"). </font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">In 'freedom of speech', Mill (2002, "Freedom of speech: Stanford Encyclopedia of Philosophy") applies the so-called harm principle, coined by John Start Mill to hate speech. He concludes that priority would be given to freedom of speech unless the speech would lead to immediate physical harm. </font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">On the basis of the harm principle there would be no reason to forbid hate speech as everybody has the right to express and develop an opinion freely and state intervention would patronize the competence and maturity of citizens. </font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">As the harm principle might be criticized for being too broad Joel Feinberg, another liberal thinker modified it and added 'offense to others' as another criteria on which restrictions of freedom can be justified (Brink, 2007, <span lang="EN" style="mso-ansi-language: EN">"Mill's Moral and Political Philosophy:</span><i style="mso-bidi-font-style: normal"><span lang="EN"> </span></i><span style="mso-bidi-font-style: italic">Stanford Encyclopedia of Philosophy"</span>). </font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font size="3"><font color="#000000"><font face="Times New Roman">With the offense principle, freedom of speech should also be restricted if it is offensive. Offensiveness depends on various factors such as the degree, if it can be avoided, social value of the speech and others<span lang="EN" style="mso-ansi-language: EN">. (Mill, 2002, </span>"Freedom of speech: Stanford Encyclopedia of Philosophy"<span lang="EN" style="mso-ansi-language: EN"> &amp; Brink, 2007, "Mill's Moral and Political Philosophy:</span><i style="mso-bidi-font-style: normal"><span lang="EN"> </span></i><span style="mso-bidi-font-style: italic">Stanford Encyclopedia of Philosophy"</span><span lang="EN" style="mso-ansi-language: EN">).<o:p></o:p></span></font></font></font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">I would not have to go to a meeting of the right -wing party NPD (Nationaldemokratische Partei Deutschlands) for example. If there was a Neo-Nazi march right through the city center on the other hand, I would not be able to avoid it, hence it could be forbidden.</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">It would yet be difficult to develop a maxim to measure and qualify offense as I might just be offended by the mere existence of Neo-Nazi ideas. </font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font size="3"><font color="#000000"><font face="Times New Roman">Moreover, it might not be in line with liberal principals to forbid hate speech based on the assumption that people get offended, because this would mean that the state would decide which opinions and way of life are more worthy and that would obstruct freedom and democracy and would patronize the maturity of competent adults (West, 2004, "Pornography and Censorship: Stanford Encyclopedia of Philosophy").<span style="mso-spacerun: yes">&nbsp; </span></font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">It seems that this approach is implied in the justification for allowing hate speech in the <st1:place w:st="on"><st1:country-region w:st="on">US</st1:country-region></st1:place>.</font></p>
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<h3 style="MARGIN: 12pt 0cm 3pt; LINE-HEIGHT: 150%"><a name="_Toc190412518"><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><font color="#000000" size="4"><strong>2. Republican Approach</strong></font></span></a><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><o:p></o:p></span></h3>
<h4 style="MARGIN: 12pt 0cm 3pt; LINE-HEIGHT: 150%"><a name="_Toc190412519"><strong><font face="Times New Roman" color="#000000" size="5">Freedom to participate</font></strong></a></h4>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Carter (2007) explains that the republican idea of freedom sees freedom as a consequence of positive liberty and as a kind of status. Positive liberty is the freedom to act. This would include the freedom to participate in the public sphere and to take control of one's life (Carter, 2007, "Positive and Negative Liberty: <span style="mso-bidi-font-style: italic">Stanford Encyclopedia of Philosophy"</span>).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">The law in democratic societies generally protects interests (even with interventions) that are considered important for the well-being of the community (Nemes, 2002, p.197).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">This could be seen as an evidence for an underlying republican logic.</font></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">According to Nemes (2002), who is not arguing with regards to a republican point of view but about hate speech in cyberspace, states that hate speech can be harmful in many respects. It causes harm to individuals as they might feel humiliated, threatened and hurt but it can also harm groups, usually to the minorities that are addressed by the hate speech. Individuals belonging to the affected group might feel inhibited to express their opinion and participate in the community and hate speech would therefore lead to inequality (Nemes, 2002, p.196). </font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">This unequal debate would also be harmful, by potentially creating violent conflict, which affects the well-being of society (p.196).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">In the republican approach the government should encourage political life and facilitate freedom by education and subvention for instance and therefore this model leaves room for government intervention, as long as it does not threaten political debate (Carter, 2007, "Positive and Negative Liberty: <span style="mso-bidi-font-style: italic">Stanford Encyclopedia of Philosophy"</span>).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Hate speech restrictions might hence be justified, like in <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place> in the interest of democracy and society.</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></p>
<h2 style="MARGIN: 12pt 0cm 3pt; LINE-HEIGHT: 150%"><a name="_Toc190412520"><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><font color="#000000" size="5"><em><strong>The German and the </strong></em></font></span></a><em><font size="5"><font color="#000000"><strong><st1:place w:st="on"><st1:country-region w:st="on"><span style="mso-bookmark: _Toc190412520"><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial">US</span></span></st1:country-region></st1:place><span style="mso-bookmark: _Toc190412520"><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"> approach to hate speech</span></span><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><o:p></o:p></span></strong></font></font></em></h2>
<h3 style="MARGIN: 12pt 0cm 3pt; LINE-HEIGHT: 150%"><a name="_Toc190412521"><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><strong><font color="#000000" size="4">Democracy revisited in a nutshell</font></strong></span></a><span style="FONT-FAMILY: 'Times New Roman'; mso-bidi-font-family: Arial"><o:p></o:p></span></h3>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Democracy has been outlined above, as the rule by the people ( Bruce &amp; Yearley, 2006, p.66), who participate as equals in the public sphere (Christiano, 2006, "Democracy: <span style="mso-bidi-font-style: italic">Stanford Encyclopedia of Philosophy"</span>).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">According to Brems throughout <st1:place w:st="on">Europe</st1:place> the dominant conception of democracy is that of substantive democracy, where human rights are integrated in the definition of democracy and the law (Brems, 2002, p.482). </font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Racist views and actions are seen as undemocratic, as they deny a section of the population access to the public sphere and hence restrict fundamental human rights of affected people (Brems, 2002, p.482).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><font size="3"><font color="#000000"><font face="Times New Roman">Brems (2002) further explains that <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place> has a concept of militant democracy in the sense that the state commits to the principles of values, citizens' duty of loyalty and readiness to defend against anti-democratic elements (pp. 486- 487). <span lang="EN-GB" style="FONT-SIZE: 10pt; COLOR: black; LINE-HEIGHT: 150%; FONT-FAMILY: BaskervilleMT; mso-ansi-language: EN-GB; mso-fareast-language: DE; mso-bidi-font-family: BaskervilleMT"><o:p></o:p></span></font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">These principals are protected in <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place>'s legal system. This will be discussed in the following as well as the reasons for <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place>'s concept of democracy.</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<h3 style="MARGIN: 12pt 0cm 3pt; LINE-HEIGHT: 150%"><a name="_Toc190412522"><span lang="EN" style="FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN; mso-bidi-font-family: Arial"><font color="#000000" size="4"><strong>Case: Hate speech restrictions in </strong></font></span></a><strong><font size="4"><font color="#000000"><st1:country-region w:st="on"><span style="mso-bookmark: _Toc190412522"><span lang="EN" style="FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN; mso-bidi-font-family: Arial">Germany</span></span></st1:country-region><span style="mso-bookmark: _Toc190412522"><span lang="EN" style="FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN; mso-bidi-font-family: Arial"> compared to the <st1:place w:st="on"><st1:country-region w:st="on">US</st1:country-region></st1:place></span></span><span lang="EN" style="FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN; mso-bidi-font-family: Arial"><o:p></o:p></span></font></font></strong></h3>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><font size="3"><font color="#000000"><font face="Times New Roman"><span lang="EN" style="mso-ansi-language: EN">Firstly,</span> one has to consider the different cultural and historical background of US and German (and European) society.</font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><font face="Times New Roman" color="#000000" size="3">In the eighteenth and nineteenth century, rights and respect were reserved for aristocrats and only later generalized (Brems, 2002, p.495). In <st1:country-region w:st="on">Germany</st1:country-region> the law and egalitarianism is hence a result of 'leveling up' as if we were all aristocrats now, while it is the opposite in the <st1:place w:st="on"><st1:country-region w:st="on">US</st1:country-region></st1:place> (Brugger, 2004, p.387 &amp; Brems, 2002, p.495).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font size="3"><font color="#000000"><font face="Times New Roman">In the <st1:place w:st="on"><st1:country-region w:st="on">US</st1:country-region></st1:place> "<span lang="EN-GB" style="mso-ansi-language: EN-GB; mso-fareast-language: DE">there are no more aristocrats, the law does not enforce anybody's duty of<o:p></o:p></span></font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font size="3"><font color="#000000"><font face="Times New Roman"><span lang="EN-GB" style="mso-ansi-language: EN-GB; mso-fareast-language: DE">civility or respect to another."</span><span lang="EN-GB"> </span>(Brems, 2002, p.495).<span lang="EN-GB" style="COLOR: black; mso-ansi-language: EN-GB; mso-fareast-language: DE"><o:p></o:p></span></font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">The main drive behind the prohibition of hate speech in <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place> and other countries were the atrocities of the Holocaust. The relation between hate speech, violence and murder was considered self-evident (Nemes, 2002,p.196), as well as the link between racist ideologies and the deconstruction of democracy (Brems, 2002, p.495). <o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">Brugger (2003) compares German to American law as regards hate speech and validates that US constitutional law classifies hate speech primarliy as speech, protected under the First Ammendment, while German constitutional law as well as the Council of Europe, Canada and international law focuses on the hate (Brugger, 2003, pp.373-374). <o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">Freedom of speech then looses its priority as protection of dignity, honour, equlity, civility and public freedom are considered more important (p. 374).<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="COLOR: red; mso-ansi-language: EN"><o:p><font face="Times New Roman" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">In <st1:country-region w:st="on">Germany</st1:country-region> hate speech is forbidden in order to protect human dignity and respect, which is why Brugger (2003) alledges that German constitutional law attaches the same significance to human dignity that <st1:place w:st="on"><st1:country-region w:st="on">US</st1:country-region></st1:place> constitutional law attaches to freedom of speech. In <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place> the law therefore protects personal rights even if it infringes the right to freedom of speech (Brugger, 2003, pp. 379- 385).<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">Furthermore, the denial of the Holocaust is forbidden (see for instnance Brugger, 2003, p.396 &amp; Nemes, 2000, p.203). Firstly on the grounds that it is a false factual statement, it is defamatory (Brugger, 2003, p.397) and it denies respect to the victims and their relatives (Brugger, 2003, pp.397-399 &amp; Nemes, 2000, p.203 ).<span style="mso-spacerun: yes">&nbsp; </span><o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">Iganski (1999) further argues that it might become more dangerous in coming years, when there are no more suvivors that can account for the truth depsite the visual and factual evidence (p.137). Deniers let those that listen to them doubt historical facts and in the future they might even be more effective if the law does not stop them (Lipstadt in Iganski, 1999, p.137). <o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">In the <st1:place w:st="on"><st1:country-region w:st="on">United States</st1:country-region></st1:place>, on the other hand, as Sunstein (1995) clarifies, viewpoint discrimination is considered most suspicious (p. 168) and that would be the case if certain viewpoints were forbidden from being expressed.<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">He further explaines that restrictions based on view points distort political discussions and are hence unconstitutional and suicidal for democracy (Sunstein, 1995, p.170-173). <o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><span lang="EN" style="mso-ansi-language: EN"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">Nonetheless, content-based restrictions to freedom of speech can be considered on a case- to case basis in terms of libel, obscenity and fighting words (Brems, 2002, p.484). <o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><font size="3"><font color="#000000"><font face="Times New Roman"><span lang="EN" style="mso-ansi-language: EN">Most relevant to hate speech is the fighting- words doctrine as defined in the Supreme Court case Chaplinsky vs <st1:place w:st="on"><st1:State w:st="on">New Hampshire</st1:State></st1:place> in 1942. It allows the restriction of freedom of speech with regards to"fighting words [...] </span>which by their very utterance inflict injury or tend to incite an immediate breach of the peace."<span style="mso-spacerun: yes">&nbsp; </span>(in Nemes, 2002, p.208). </font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><font size="3"><font color="#000000"><font face="Times New Roman"><span lang="EN" style="mso-ansi-language: EN">However, as specified in another case (Cohen v.California) in 1971 the speech needs to be </span>"reasonably expected to provoke a violent reaction if addressed toward an</font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><font face="Times New Roman" color="#000000" size="3">ordinary citizen" and it needs to be directly addressed to someone ("Find Law"&amp; Nemes, 2002, p.208-209). Hence the speech would have to provoke an 'average citizen' to fight (Sunstein 1995, p.187).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span style="mso-tab-count: 1"><font face="Times New Roman" color="#000000" size="3">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">According to Nemes (2002) this interpretation of restrictions to freedom of speech is ignoring psychological harm and assumes that the insult needs to go against a physically present group of individuals that would find it so insulting that they would resort to violence (p.209).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Nemes claims though that discriminative speech usually causes the victims to withdraw and the law would hence miss the point (p.209).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Advocates for the prohibition of hate speech in the <st1:country-region w:st="on">US</st1:country-region> also stress that it enforces a notion of second class citizenship, which has its roots in <st1:country-region w:st="on">US</st1:country-region> history of segregation while nowadays <st1:place w:st="on"><st1:country-region w:st="on">US</st1:country-region></st1:place> social order is built on racial equality even if the concept is quite new (Brems, 2002, p.486).</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Brems concludes that while US advocates against hate speech second the idea that hate speech harms individuals and society, the European idea of racist speech being undemocratic is not dominant (p. 486). Instead the idea of a favored discussion and paternalism of the state is considered more harmful for democracy.</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Subsequently, an often quoted argument for the priority of the first amendment is the slippery-slope argument (Mill, 2002, "Freedom of speech: Stanford Encyclopedia of Philosophy"), claiming that by supporting A , the state slides down a slippery slope that could eventually lead to permitting B. </font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">In other words, if today a demonstration of Neo- Nazis is forbidden, then tomorrow the government might forbid a march against a political party decision (Nemes, 2002, p.195). This view implies that regulation hinders a successful democracy (p.195). </font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font face="Times New Roman" color="#000000" size="3">Moreover, Iganski (1999), though agreeing with hate speech prohibition, admits that it can produce martyrs especially when the offenders claim that their freedom of speech is infringed (p.138). It also gives them publicity and media attention, indicating an exaggerated significance of the offenders in the public eye ( Iganski, 1999, p.138). </font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><font size="3"><font color="#000000"><font face="Times New Roman">I<span lang="EN" style="mso-ansi-language: EN">t is nevertheless understandable that German constitutional law is giving special protection to human dignity as a consequence of the human failure and atrocities under the 3<sup>rd</sup> Reich, which is why it is not only considered important to uphold civility and human dignity but it should be punished and enforced if disregarded (Brugger, 2003, p. 387).<o:p></o:p></span></font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">The German constitution from 1949 was drafted to prevent a second Hitler from coming into power and deconstructing democracy. It was supposed to protect citizens from antidemocratic tendencies in the state and vice versa (Brems, 2002, pp. 486- 487).<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><font size="3"><font face="Times New Roman"><span lang="EN" style="mso-ansi-language: EN"><font color="#000000"><span style="mso-tab-count: 1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Goebbels was alledgedly quoted saying that it is "</font></span><span lang="EN-GB" style="COLOR: #231f20; mso-ansi-language: EN-GB; mso-fareast-language: DE">one of the best jokes of democracy, that it gave its deadly enemies the means by which it was destroyed" (Bracher in Brems, 2002, p.483) .<o:p></o:p></span></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><font size="3"><font face="Times New Roman"><span lang="EN-GB" style="COLOR: #231f20; mso-ansi-language: EN-GB; mso-fareast-language: DE">The German and European approach to hate speech implies that racist speech and actions are undemocratic. Therefore, tendencies and climate of hate are being prevented out of democratic self-defence before the majority is supporting these kind of ideas, which would make it difficult to justify their prohibition with democratic legitimacy (Brems 2002, p.482-483).</span><span lang="EN-GB" style="FONT-SIZE: 10pt; COLOR: #231f20; LINE-HEIGHT: 150%; FONT-FAMILY: BaskervilleMT; mso-ansi-language: EN-GB; mso-fareast-language: DE; mso-bidi-font-family: BaskervilleMT"><o:p></o:p></span></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">Even if it is disputable how direct the relation between hate speech and hate crimes is, Jews in Germany and the indegenous poluation in many parts of the world have experienced that hate speech and racial hatred can develop into a climate in which discrimination and crimes against humanity become acceptable (Nemes, 2002, p.197). One might also argue this way with regards to Native Americans.<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">Consequently, hate speech in <st1:country-region w:st="on"><st1:place w:st="on">Germany</st1:place></st1:country-region> is forbidden on the basis that it might induce violence and the law shall establish public freedom and prevent a climate of hate even at the expense of open public debate (Brugger, 2003, pp. 387-391).<span style="mso-spacerun: yes">&nbsp; </span><o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">Nonetheless, this is exactly the viewpoint based restriction, which is unconstitutional in the <st1:country-region w:st="on"><st1:place w:st="on">United States</st1:place></st1:country-region>.<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><font size="3"><font color="#000000"><font face="Times New Roman"><st1:country-region w:st="on"><st1:place w:st="on"><span lang="EN" style="mso-ansi-language: EN">US</span></st1:place></st1:country-region><span lang="EN" style="mso-ansi-language: EN"> constutitional law implies that it is elementary for a democratic society that ideas can be expressed and debated freely therefore the first Ammendment gives priority to freedom of speech. <o:p></o:p></span></font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><span lang="EN" style="mso-ansi-language: EN"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><font size="3"><font color="#000000"><font face="Times New Roman"><span lang="EN" style="mso-ansi-language: EN">A planned neo-Nazi march, with uniforms and the display of swastikas through Skokie, Illinois a town with 70 000 inhabitant, 40 000 of whom were Jewish and 5000 survivors of Nazi concentration camps was therefore not blocked by the Illinois Supreme Court, because this would have violated the first ammendment (Mill, 2002, </span>"Freedom of speech: Stanford Encyclopedia of Philosophy"<span lang="EN" style="mso-ansi-language: EN"> &amp; Brems, 2002, p.485). This argument would have not counted in <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place>.<o:p></o:p></span></font></font></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">The notion of forbidding racist and xenophobic speech due to its "elemental wrongness" goes against the first ammendment principle, as there are no false ideas (Nemes, 2002, p.207).<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><font face="Times New Roman"><font size="3"><font color="#000000"><span lang="EN" style="mso-ansi-language: EN">I</span>n <st1:country-region w:st="on">Germany</st1:country-region> as well as in <st1:place w:st="on">Europe</st1:place> viewpoint and "</font><span lang="EN-GB" style="COLOR: #231f20; FONT-FAMILY: BaskervilleMT; mso-ansi-language: EN-GB; mso-fareast-language: DE; mso-bidi-font-family: BaskervilleMT">content-based restrictions are acceptable</span></font><span lang="EN-GB" style="FONT-SIZE: 10pt; COLOR: black; LINE-HEIGHT: 150%; FONT-FAMILY: BaskervilleMT; mso-ansi-language: EN-GB; mso-fareast-language: DE; mso-bidi-font-family: BaskervilleMT"> </span><span lang="EN-GB" style="COLOR: #231f20; FONT-FAMILY: BaskervilleMT; mso-ansi-language: EN-GB; mso-fareast-language: DE; mso-bidi-font-family: BaskervilleMT"><font size="3">because of the militant character of European democracy: it fights for the substantive values it stands for. European democracy is partial toward human rights and is therefore hostile to the enemies of human rights."( Brems, 2002, p.495).<o:p></o:p></font></span></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none"><span lang="EN-GB" style="FONT-SIZE: 10pt; COLOR: black; LINE-HEIGHT: 150%; FONT-FAMILY: BaskervilleMT; mso-ansi-language: EN-GB; mso-fareast-language: DE; mso-bidi-font-family: BaskervilleMT"><o:p><font face="Times New Roman">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">Troughout the debate two fundamentally opposing assessments of the role of the state and its citizens become apparent.<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">In the United States the public is given responsiblity and the idea that civility will prevail, hence that the public will be able to make the right decision by way of critical and controversial debate predominates (Brugger, 2003, pp.387-388). "From the differing voices, the truth will emerge"(Nemes, 2002, p.207).<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 36pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">The basic idea is that the government needs to be neutral and not favour certain values (Brems, 2002, p.485). This implies less trust in the state and more trust in the people and the public sphere (Brugger, 2003, p.394) .<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">In <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place> on the other hand the law ensures a favoured debate and hence a desireable viewpoint and climate in society (Brugger, 2003, pp.387-388, p.391).<span style="mso-spacerun: yes">&nbsp; </span>Despite <st1:place w:st="on"><st1:country-region w:st="on">Germany</st1:country-region></st1:place>'s experiences in recent history it implies a high trust in the state instead of the people (p.395). Due to the concept of democracy the constitution protects human rights and is therefore not neutral (Brems, 2002, p.485). The state assumes the role of protecting dignity, honour, equlity and civility discriminating however the entitlement of citizens to have open discussions about important topics (Brugger, 2003, p.410). <o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</font></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><span lang="EN" style="mso-ansi-language: EN"><font size="3"><font color="#000000"><font face="Times New Roman">Finally, as deduced by Brems (2002), in the <st1:place w:st="on"><st1:country-region w:st="on">US</st1:country-region></st1:place> racism might be taken seriously but it is not considered something that threatens democracy. Converesly, in <st1:country-region w:st="on">Germany</st1:country-region> and <st1:place w:st="on">Europe</st1:place>, under consideration of the deconstruction of democracy under Hitler, racism is considered a direct threat to democracy (p.495) and therefore needs to be fought actively with the help of the law and state intervention.<o:p></o:p></font></font></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%"><b><i><span lang="EN" style="mso-ansi-language: EN"><o:p><font face="Times New Roman" color="#000000" size="3">&nbsp;</fo]]>
    </content>
</entry>

<entry>
    <title>Alexandra&apos;s and my research diary, Part III</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2007/12/alexandras-and-my-research-dia-1.html" />
    <id>tag:www.fdcw.org,2007:/0708/mukengekabongo//198.5142</id>

    <published>2007-12-11T09:07:01Z</published>
    <updated>2007-12-11T09:11:05Z</updated>

    <summary><![CDATA[ At the outset of this study we were interested in the consequences of file sharing and in file sharing as a cultural practice. Main Claim: &nbsp; Despite the fact that the issue is often framed as entirely new file...]]></summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[

<p class="MsoNormal"><span style="" lang="EN-GB">At the
outset of this study we were interested in the consequences of file sharing and
in file sharing as a cultural practice. <span style="color: red;"><o:p></o:p></span></span></p>

<p class="MsoNormal"><b><u><span style="" lang="EN-GB"><o:p><span style="text-decoration: none;"><br /></span></o:p></span></u></b></p>

<p class="MsoNormal"><u><span style="" lang="EN-GB">Main
Claim:</span></u><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">Despite the
fact that the issue is often framed as entirely new file sharing is not a newly
invented practice but it shows how consumers make use of technology to fulfil
existing needs and hence influence technology. <o:p></o:p></span></p>

<p class="MsoNormal"><span style="font-family: &quot;Trebuchet MS&quot;;" lang="EN-GB">&nbsp;<o:p></o:p></span></p>

 ]]>
        <![CDATA[

<p class="MsoNormal" style=""><span style="" lang="EN-GB">In order to
discuss the claim in form of a documentary we are discussing file sharing as a
cultural practice and opinions of file sharers, its consequences as well as the
pre-file sharing era.<o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><u><span style="" lang="EN-GB">Interviews
conducted so far:<o:p></o:p></span></u></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">- Corina
(heavy user from </span><st1:country-region><st1:place><span style="" lang="EN-GB">Romania</span></st1:place></st1:country-region><span style="" lang="EN-GB">, pro file-sharing)<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="">- Mark (heavy user,
Dutch, who lived in South Africa, pro file-sharing) </span><span lang="NL"><o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">- Marius
(German, moderate downloader)<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">- Mieke
(Belgian, downloads rarely)<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">- Marc
(Dutch, store manager of music shop Van Leest in </span><st1:City><st1:place><span style="" lang="EN-GB">Maastricht</span></st1:place></st1:City><span style="" lang="EN-GB">)<o:p></o:p></span></p>

<p class="MsoNormal" style="margin-left: 3.75pt;"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal" style="margin-left: 3.75pt; text-indent: -3.75pt;"><span style="" lang="EN-GB">- Hans (shop owner of Music Plus in </span><st1:City><st1:place><span style="" lang="EN-GB">Maastricht</span></st1:place></st1:City><span style="" lang="EN-GB">)<o:p></o:p></span></p>

<p class="MsoNormal" style="margin-left: 3.75pt; text-indent: -3.75pt;"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoBodyTextIndent"><span style="font-family: &quot;Times New Roman&quot;; color: windowtext;" lang="EN-GB">We have one more interview scheduled this week with Raoul,
who is against file-sharing. These findings will definitely also be included in
our documentary.</span><span style="font-family: &quot;Times New Roman&quot;; color: red;" lang="EN-GB"> <o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style=""><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><u><span style="" lang="EN-GB">Main
findings:<o:p></o:p></span></u></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><b><span style="" lang="EN-GB">Arguments
and attitudes of pro file-sharers:<o:p></o:p></span></b></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">- easy and
handy way to obtain and discover the latest music for free<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">- in most
cases no fear of legal consequences (common statement: “There are people who
download way more than I do, so why should they go after a small fish such as
me?”)<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">- no guilty
conscience because CDs are overpriced, and the claim of the record industry
that downloading damages young artists is not fully believed; quite on the contrary,
downloaders see a lot of potential in downloading as means of promoting the
music of unknown bands<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">- most
downloaders still buy music on CDs which they really like, e.g. of their
favourite artists; none of our interviewees claimed to not purchase music in
record shops anymore<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">- ideology
of the common good as described by Corina as remnant of Communism (music should
not be owned but should belong and be available to everyone)<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">-
file-sharing provides a possibility for people in economically disadvantaged
countries to participate in popular culture; this is especially valid for young
people (example of Corina of her home-country </span><st1:country-region><st1:place><span style="" lang="EN-GB">Romania</span></st1:place></st1:country-region><span style="" lang="EN-GB">)<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">-Before the
possibility of file sharing online users used tape recorders to get music
without paying for it. <o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><b><span style="" lang="EN-GB">Observations
of record shop employees:<o:p></o:p></span></b></p>

<p class="MsoNormal"><b><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></b></p>

<p class="MsoNormal"><span style="" lang="EN-GB">- the
average customer who buys CDs is male and between 25 and 35 years old<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">- record
shops have lost teenagers as customers since downloading became<span style="">&nbsp;&nbsp; </span>popular; a shift to an “older” customer base
(average age: 25-35) has occurred<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal" style="margin-left: 3.75pt;"><span style="" lang="EN-GB">- personal experiences with downloading create
understanding for file-sharers; conflict between private life and work (store
manager of Van Leest)<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal" style="margin-left: 3.75pt;"><span style="" lang="EN-GB">- the record shop owner on the other hand is
strictly against downloading and perceives it as “the death of music” because
it directly affects his own financial situation<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">(Unlike the
store manager of Van Leest, the record store owner of Music Plus had no
experiences with file sharing)<o:p></o:p></span></p>

<p class="MsoNormal"><b><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></b></p>

<p class="MsoNormal"><u><span style="" lang="EN-GB">Further
points to be mentioned in our documentary or alternatively in our accompanying
presentation:<o:p></o:p></span></u></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">-
historical parallels: music piracy already in the 1920s (based on <i>Pop music
pirate</i> <i>hunters</i> by Adrian Johns), so not an entirely new phenomenon<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">- different
perspectives on downloading: open source movement, principle of common goods
(music as cultural good should not be “owned”)…<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB">-
information on legal consequences: copyright infringement laws<o:p></o:p></span></p>

<p class="MsoNormal" style="text-indent: 35.4pt;"><u><span style="" lang="EN-GB"><o:p><span style="text-decoration: none;">&nbsp;</span></o:p></span></u></p>

<p class="MsoNormal"><u><span style="" lang="EN-GB"><span style="">&nbsp;</span>Progress summary:<o:p></o:p></span></u></p>

<p class="MsoNormal"><span style="" lang="EN-GB">We have
collected most of our interviews and are now busy with the literature as well
as the script for the final product.<o:p></o:p></span></p>

]]>
    </content>
</entry>

<entry>
    <title>Alexandra&apos;s and my reseearch diary, Part II</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2007/12/alexandras-and-my-reseearch-di.html" />
    <id>tag:www.fdcw.org,2007:/0708/mukengekabongo//198.5114</id>

    <published>2007-12-04T12:19:38Z</published>
    <updated>2007-12-04T12:24:50Z</updated>

    <summary>As regards the topic of our sound documentary, we have decided to extend our research to questions of “value” and “meaning”. Without implying too much, we would like to find out from our interviewees how they construct meaning and value...</summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    <category term="interviewquestions" label="interview questions" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB; mso-bidi-font-weight: bold"><font size="3"><font color="#000000"><font face="Times New Roman">As regards the topic of our sound documentary, we have decided to extend our research to questions of “value” and “meaning”. Without implying too much, we would like to find out from our interviewees how they construct meaning and value as regards music, especially with regard to the dichotomy of downloaded music versus purchased music. </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB; mso-bidi-font-weight: bold"><?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></span>&nbsp;</p><o:p></o:p></font></font></font></span>]]>
        <![CDATA[<font face="Times New Roman" color="#000000" size="3">
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB; mso-bidi-font-weight: bold">Here are some ideas for the interviews we will conduct in the next two weeks:<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><b><u><span lang="EN-GB" style="mso-ansi-language: EN-GB"></span></u></b>&nbsp;</p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><b><u><span lang="EN-GB" style="mso-ansi-language: EN-GB">Interview with </span></u></b><b style="mso-bidi-font-weight: normal"><u><span lang="EN-GB" style="mso-ansi-language: EN-GB">record store owner<o:p></o:p></span></u></b></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"></span>&nbsp;</p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">We have an interview appointment with Hans, the owner of the local record store “Music Plus” (St. Amorsplein 5) in Maastricht. We also tried to arrange an interview with employees of the “Free Record Shop”, a chain, but they have a company policy which forbids them to give interviews, so unfortunately we only have one record salesperson and record store owner as interview source at the moment.<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">He asked us to give him the questions beforehand, so he can think about them a bit. We will give him the general questions without the sub questions, which we will use if they do not come up in the answers.<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">( 0)Since when does your shop exist?)<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">1)What kind of music do you sell?<o:p></o:p></span></p>
<ul style="MARGIN-TOP: 0cm" type="disc">
<li class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-list: l3 level1 lfo1; tab-stops: list 36.0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">Is there a change in the kind of music you sell over the past years?<o:p></o:p></span></li>
<li class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-list: l3 level1 lfo1; tab-stops: list 36.0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">How do you find out about new artists and music you sell?<o:p></o:p></span></li></ul>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">2)How would you describe your average customer?<o:p></o:p></span></p>
<ul style="MARGIN-TOP: 0cm" type="disc">
<li class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-list: l5 level1 lfo2; tab-stops: list 36.0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">What is their average gender, age, taste of music?<o:p></o:p></span></li>
<li class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-list: l5 level1 lfo2; tab-stops: list 36.0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">Did you experience some kind of change in the demographics of your customer since file-sharing appeared?<o:p></o:p></span></li></ul>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">3) What is your personal experience with file-sharing (if applicable)?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">4) What is your opinion about file-sharing?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">5) What are the consequences of file-sharing for you as a record store owner?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">6) In how far did consumer expectations change towards the quality of music?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">7) Do you think file-sharing influences the value of music?<o:p></o:p></span></p>
<ul style="MARGIN-TOP: 0cm" type="disc">
<li class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-list: l4 level1 lfo3; tab-stops: list 36.0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">How?<o:p></o:p></span></li>
<li class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-list: l4 level1 lfo3; tab-stops: list 36.0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">Why (not)?<o:p></o:p></span></li></ul>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">We are planning on having consumer interviews before the interview with Hans so we can already discuss some of our findings with him since he was very much interested in the consumer side of file-sharing. <o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><b style="mso-bidi-font-weight: normal"><u><span lang="EN-GB" style="mso-ansi-language: EN-GB">Interviews with consumers/ file-sharers:<o:p></o:p></span></u></b></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><b style="mso-bidi-font-weight: normal"><u><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p><span style="TEXT-DECORATION: none"></span></o:p></span></u></b></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"></span>&nbsp;</p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">We drafted a different set of questions for the consumers.<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">We already have a scheduled interview on Wednesday 10.30 with Mark, a 21-year old Econometrics Bachelor student at the University of Maastricht who has his PC full of music files.<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">We are also hoping on convincing him of having a group discussion about the topic with some of his friends or fellow students. <o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">We would moreover like to record the pre- and post discussion of assignment 5, which deals with our topic, if that is possible and the group agrees in order to collect sound bites, quotes and interesting ideas (question to Ruth whether she agrees with this).<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">We also want to conduct individual interviews with at least three of our class members.<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">We prepared the following set of guiding questions for the interviews with the group of people mentioned above:<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l1 level1 lfo4; tab-stops: list 0cm"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><span style="mso-list: Ignore">1)<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">What are your experiences with file sharing?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 72pt; TEXT-INDENT: -18pt; mso-list: l1 level2 lfo4; tab-stops: list 72.0pt"><span lang="EN-GB" style="FONT-FAMILY: Symbol; mso-ansi-language: EN-GB; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol"><span style="mso-list: Ignore">·<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">When did you start?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 72pt; TEXT-INDENT: -18pt; mso-list: l1 level2 lfo4; tab-stops: list 72.0pt"><span lang="EN-GB" style="FONT-FAMILY: Symbol; mso-ansi-language: EN-GB; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol"><span style="mso-list: Ignore">·<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">Why do you (don’t you) do it?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 72pt; TEXT-INDENT: -18pt; mso-list: l1 level2 lfo4; tab-stops: list 72.0pt"><span lang="EN-GB" style="FONT-FAMILY: Symbol; mso-ansi-language: EN-GB; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol"><span style="mso-list: Ignore">·<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">What do you download?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 72pt; TEXT-INDENT: -18pt; mso-list: l1 level2 lfo4; tab-stops: list 72.0pt"><span lang="EN-GB" style="FONT-FAMILY: Symbol; mso-ansi-language: EN-GB; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol"><span style="mso-list: Ignore">·<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">Where do you download?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 72pt; TEXT-INDENT: -18pt; mso-list: l1 level2 lfo4; tab-stops: list 72.0pt"><span lang="EN-GB" style="FONT-FAMILY: Symbol; mso-ansi-language: EN-GB; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol"><span style="mso-list: Ignore">·<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">Do you use legal sites?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 72pt; TEXT-INDENT: -18pt; mso-list: l1 level2 lfo4; tab-stops: list 72.0pt"><span lang="EN-GB" style="FONT-FAMILY: Symbol; mso-ansi-language: EN-GB; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol"><span style="mso-list: Ignore">·<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">Are you worried about legal implications?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l1 level1 lfo4; tab-stops: list 0cm"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><span style="mso-list: Ignore">2)<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">What is your opinion about file sharing?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l1 level1 lfo4; tab-stops: list 0cm"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><span style="mso-list: Ignore">3)<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">In your music collection, what is the ratio between downloaded and purchased music?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l1 level1 lfo4; tab-stops: list 0cm"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><span style="mso-list: Ignore">4)<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">What is the difference for you between your downloaded and purchased music?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l1 level1 lfo4; tab-stops: list 0cm"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><span style="mso-list: Ignore">5)<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">Do you still buy CDs?<o:p></o:p></span></p>
<ul style="MARGIN-TOP: 0cm" type="disc">
<li class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-list: l0 level1 lfo6; tab-stops: list 36.0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">What makes/ made you buy a CD?<o:p></o:p></span></li>
<li class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-list: l0 level1 lfo6; tab-stops: list 36.0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">How much are you willing to pay for a CD?<o:p></o:p></span></li>
<li class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-list: l0 level1 lfo6; tab-stops: list 36.0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">How much are you willing to pay for a song/album you like?<o:p></o:p></span></li></ul>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l1 level1 lfo4; tab-stops: list 0cm"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><span style="mso-list: Ignore">6)<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">What makes music valuable for you? How does it differ from other things you buy and enjoy?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l1 level1 lfo4; tab-stops: list 0cm"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><span style="mso-list: Ignore">7)<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">How important is sound quality to you?<o:p></o:p></span></p>
<ul style="MARGIN-TOP: 0cm" type="disc">
<li class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-list: l6 level1 lfo5; tab-stops: list 36.0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">Do you see a difference in quality of downloaded music?<o:p></o:p></span></li>
<li class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-list: l6 level1 lfo5; tab-stops: list 36.0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">Is a difference in quality important for you when it comes to your listening experience?<o:p></o:p></span></li></ul>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">Lastly, we are going to do spontaneous and short interviews with people coming out of one of the record stores in Maastricht.<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">We want to ask them the following questions:<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -36pt; mso-list: l2 level1 lfo7; tab-stops: list 18.0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><span style="mso-list: Ignore">1)<span style="FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span><span lang="EN-GB" style="mso-ansi-language: EN-GB">What did you buy? (In case it was a CD.)<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">2) Why did you buy it and not download it?<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><b><u><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p><span style="TEXT-DECORATION: none"></span></o:p></span></u></b></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><b><u><span lang="EN-GB" style="mso-ansi-language: EN-GB">Sound sources:<o:p></o:p></span></u></b></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><b><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></b></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">Here is a list of diverse and interesting videos we found on You Tube regarding our topic. We have yet to select them, so presumably only a small number will eventually be included in our sound documentary:<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">1) Interview with member of band “Run Kid Run”:<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><a href="http://www.youtube.com/watch?v=w-VWS46O5fc">http://www.youtube.com/watch?v=w-VWS46O5fc</a><o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">2) Musicvideo on downloading (could be included as an entertaining music jingle in the documentary):<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><a href="http://www.youtube.com/watch?v=C0iHGsEZTSE">http://www.youtube.com/watch?v=C0iHGsEZTSE</a><o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">3) Interview with independent artist Ian Martin :<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><a href="http://www.youtube.com/watch?v=N-oiK8SpPtE">http://www.youtube.com/watch?v=N-oiK8SpPtE</a><o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">4) Michael Moore’s views on file-sharing:<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><a href="http://www.youtube.com/watch?v=OlAB0v8wHdc">http://www.youtube.com/watch?v=OlAB0v8wHdc</a><o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">5) Comedian Weird Al Yankovic’s humurous take on the topic (a song we would maybe like to include partially as an entertaining feature of the documentary):<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><a href="http://www.youtube.com/watch?v=Yz-grdpKVqg">http://www.youtube.com/watch?v=Yz-grdpKVqg</a><o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">6) CBC News on court case regarding file-sharing (legal aspect of copyright):<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><a href="http://www.youtube.com/watch?v=wS9MeoiqA7M&amp;feature=related">http://www.youtube.com/watch?v=wS9MeoiqA7M&amp;feature=related</a><o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">7) interesting student video on P2P file-sharing:<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><a href="http://www.youtube.com/watch?v=doMD-ORPPZA">http://www.youtube.com/watch?v=doMD-ORPPZA</a><o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">8) snippets:<o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><a href="http://www.youtube.com/watch?v=dv0zxkws4VQ">http://www.youtube.com/watch?v=dv0zxkws4VQ</a><o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><b><u><span lang="EN-GB" style="mso-ansi-language: EN-GB">Possible further sources/literature:<o:p></o:p></span></u></b></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><b><u><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p><span style="TEXT-DECORATION: none"></span></o:p></span></u></b></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"></span>&nbsp;</p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">Boorstin, Eric S. (2004). Music Sales in the Age of File Sharing. Retrieved from <a href="http://www.cs.princeton.edu/~felten/boorstin-thesis.pdf">http://www.cs.princeton.edu/~felten/boorstin-thesis.pdf</a><o:p></o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="mso-ansi-language: EN-GB">Schwartz, John (April 5, 2004). A Heretical View of File Sharing. <i>The New York Times</i>. Retrieved from <a href="http://www.nytimes.com/2004/04/05/technology/05music.html?ex=1396497600&amp;en=71b2898a5d0c0b03&amp;ei=5007">http://www.nytimes.com/2004/04/05/technology/05music.html?ex=1396497600&amp;en=71b2898a5d0c0b03&amp;ei=5007</a><o:p></o:p></span></p></font>]]>
    </content>
</entry>

<entry>
    <title>Alexandra`s and my research diary</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2007/11/alexandras-and-my-research-dia.html" />
    <id>tag:www.fdcw.org,2007:/0708/mukengekabongo//198.5078</id>

    <published>2007-11-27T17:29:11Z</published>
    <updated>2007-11-27T17:35:13Z</updated>

    <summary><![CDATA[ Alexandra and I are working together on the radio documentary project and this is the first entry in our research diary. It will be updated every Wednesday until Christmas. &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1) Problem definition and key questions &nbsp; File-sharing...]]></summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    <category term="filesharing" label="file sharing" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[

<p class="MsoNormal"><span style="" lang="EN-GB">Alexandra
and I are working together on the radio documentary project and this is the
first entry in our research diary. It will be updated every Wednesday until Christmas.<o:p></o:p></span></p>

<p class="MsoNormal"><strong><span style="color: black; font-weight: normal;" lang="EN-GB">&nbsp;</span><u1:p></u1:p></strong><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><strong><span style="color: black; font-weight: normal;" lang="EN-GB">&nbsp;</span><u1:p></u1:p></strong><strong><span style="color: black;" lang="EN-GB"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></strong><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal"><strong><span style="color: black;" lang="EN-GB">1) Problem definition and key questions</span></strong><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">&nbsp;</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">File-sharing
-&nbsp; a phenomenon that surfaced in the advent of the internet and
digitalization -&nbsp; and music sharing in particular have become a pertinent
issue mainly mentioned in relation to ownership, intellectual property rights
and the music industry loosing revenue. Henry Jenkins (2006) extends the
discussion and discusses file-sharing as one example or characteristic of new
popular culture: convergence culture in which the boundaries between consumers
and producers are blurred and content reaches audience via different channels
and media systems (Jenkins, 2006, pp.2-3).</span><span style="" lang="EN-GB"><u1:p></u1:p> <span style="color: black;">We are
however interested in the consequences of file sharing for the consumer and in
particular how it has influenced the relation people have to music.</span> <o:p></o:p></span></p>

<br /><span style="" lang="EN-GB"></span>

<u1:p></u1:p> ]]>
        <![CDATA[

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">How
did the value of music change with the rise of file-sharing?</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">This
question includes both the monetary value that the music industry is mostly
referring to and the emotional value the consumer attaches to music, while we
focus on the latter.</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">Is
downloaded music worth less than the music bought in a shop? Are people less
attached to their mp3s on their computer than to their CD-collection?</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">What
makes people want to buy a CD instead of downloading it or vice verse?</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">On
the other hand in the line with Jenkins and file-sharing as part of
participatory culture, we are also interested in finding out how young people
use file sharing as a form of cultural expression.</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">Is
it ‘cool’ to download? Are there cases in which it is considered preferable to
buy a CD? What does file sharing mean for people? Is there are a difference
between illegal and legal downloading?</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">Do
file-sharers perceive themselves as criminals, who deliberately ‘commit a
crime’ to save money, or is it an act of overt protest against the music industry
and their claim over copyright of music?</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">&nbsp;</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">Jenkins,
H. (2006). <i>Convergence Culture</i>. </span><st1:State><st1:place><span style="color: black;" lang="EN-GB">New York</span></st1:place></st1:State><span style="color: black;" lang="EN-GB">: </span><st1:place><st1:PlaceName><span style="color: black;" lang="EN-GB">New York</span></st1:PlaceName><span style="color: black;" lang="EN-GB"> </span><st1:PlaceType><span style="color: black;" lang="EN-GB">University</span></st1:PlaceType></st1:place><span style="color: black;" lang="EN-GB"> Press</span><span style="" lang="EN-GB"><u1:p></u1:p><o:p></o:p></span></p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">&nbsp;</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">&nbsp;</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><b><span style="color: black;" lang="EN-GB">2) Research strategy</span></b><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><b><span style="color: black;" lang="EN-GB">&nbsp;</span></b><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">We
intend to interview people on the street in order to collect random and diverse
opinions regarding the average person’s attitude towards file-sharing since it
has become a wide-spread phenomenon. We would like to know:</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">&nbsp;</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">-
if they have ever downloaded music</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">-
if so, was is it on a legal platform (e.g. I-Tunes) or an illegal one (e.g.
Napster)</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">-
in how far is a download different from a CD, a tape or a record </span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">-
what still makes them buy a CD (if applicable)</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">-
if they perceive themselves differently as consumers</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">-
in how far file-sharing has changed cultural practices according to their own
experiences</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">-
if there is a criminal notion attached to downloading illegally</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">&nbsp;</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">In
order to obtain an even more well-rounded spectrum of opinion and collect
sufficient data, we would like to talk to people from different countries and
cultural backgrounds. This can be employed by interviewing international
students at the </span><st1:place><st1:PlaceType><span style="color: black;" lang="EN-GB">University</span></st1:PlaceType><span style="color: black;" lang="EN-GB"> of </span><st1:PlaceName><span style="color: black;" lang="EN-GB">Maastricht</span></st1:PlaceName></st1:place><span style="color: black;" lang="EN-GB">. </span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">&nbsp;</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">Moreover
we are aiming at possibly interviewing (local) bands who are struggling to get
a recording contract and officials of record companies. They could give us an
insight into the other side of the coin by presenting us with the commercial
and financial downsides of the file-sharing boom. Since it is a common claim of
record companies that communities such as Napster or Kazaa have lead to
tremendous financial damage in the music industry, it would be interesting to
check with those associated with the business in how far this is true and valid.</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">However,
it might be problematic to arrange an interview with an executive of a record
company since they are not likely to talk to “just anyone”. We are positive
though that we might find sufficient material as replacement for an interview
on the internet, e.g. on a video platform such as You Tube.</span><span style="" lang="EN-GB"><o:p></o:p></span><br /></p><p class="MsoNormal"><span style="color: black;" lang="EN-GB">Moreover,
it should also be possible to capture the industry side by interviewing record
store owners or employees.</span><span style="" lang="EN-GB"><o:p></o:p></span>

<u1:p></u1:p>

</p><p class="MsoNormal"><span style="color: black;" lang="EN-GB">&nbsp;</span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">Our
selection of literature so far includes J. Alderman’s <i>Sonic Boom. Napster,
MP3, and the New Pioneers of Music </i>(2001) and A. Johns’ <i>Pop Music Pirate
Hunters </i>(2002). </span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<u1:p></u1:p>

<p class="MsoNormal"><span style="color: black;" lang="EN-GB">However,
we are just at the beginning of our research, so things still have to fall into
place and the relevant literature has yet to be reviewed. That is why we also
cannot present you yet with drafts of our script or actual research results.
Watch this space!</span><o:p></o:p></p>

]]>
    </content>
</entry>

<entry>
    <title>Watch this!</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2007/11/watch-this.html" />
    <id>tag:www.fdcw.org,2007:/0708/mukengekabongo//198.5079</id>

    <published>2007-11-24T18:04:47Z</published>
    <updated>2007-11-28T20:36:24Z</updated>

    <summary>Here is the link to the game movie for the group project with Corina on gaming:Not another game movie...</summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    <category term="gamemovie" label="Game movie" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[Here is the link to the game movie for the group project with Corina on gaming:<br /><a href="http://www.youtube.com/watch?v=JG1VQoO29FE">Not another game movie</a><br /><br /> <div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Pleasure of gaming and my frustration</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2007/11/pleasure-of-gaming-and-my-frus.html" />
    <id>tag:www.fdcw.org,2007:/0708/mukengekabongo//198.5062</id>

    <published>2007-11-23T14:53:05Z</published>
    <updated>2007-11-27T18:02:38Z</updated>

    <summary> I have to say that this module was a bit difficult for me as I am not a gamer and furthermore making a website and an in-game video and writing essays was really challenging. It was easier for me...</summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    <category term="gamingculture" label="gaming culture" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[

<p class="MsoNormal"><span lang="EN-US">I have to say that this module was a bit
difficult for me as I am not a gamer and furthermore making a website and an
in-game video and writing essays was really challenging. It was easier for me
to grasp the theoretical concept than actually playing Raknarok Online <a href="http://www.euro-ro.net/">(official
site)</a> in the beginning, even if some texts gave too many examples of games I
did never play.</span></p>

 ]]>
        <![CDATA[





























<p class="MsoNormal"><span lang="EN-US">I have to say that this module was a bit
difficult for me as I am not a gamer and furthermore making a website and an
in-game video and writing essays was really challenging. It was easier for me
to grasp the theoretical concept than actually playing Raknarok Online (official
site) in the beginning, even if some texts gave too many examples of games I
did never play.<br />Before starting the module I felt like a
game analphabet and know I still do not think I really get the pleasure of
gaming but it was interesting to having to deal with that.<br />According to Lambert &amp; Waldecker (2007)
the pleasure of gaming and attraction of a game lies in the mix and balance of
repens and reposito.<br />Repens refers to the unexpected event in
the game that will bring the player further and teach him or her something new in
the game. It is a characteristic of the game that makes a player want to
explore it. Reposito, on the other hand refers to the game’s characteristic of
forcing re-try, return, re-run and so on, when the unexpected obstacle is to
difficult. (Lambert&amp; Waldecker, 2007, p. 10).<br />In computer games it seem to me that a
certain ‘pre-knowledge’, game experience or the will to invest time is
necessary.<br />With computer games I feel again like in 1<sup>st</sup>
grade. It reminds me of my frustration of not being able to read as fast as I
wanted to and I did not really believe the grown-ups around me, who told me it
would get easier.<br />In school I had to go through that learning
phase and evidently it got easier and it would probably also get easier for me
to play games once I get into one game at least.<br />For now, however I (saying it in Lambert’s
and Waldecker’s terms) experience mostly reposito.<br />I know I would have to spend some time to
get into games but it is not rewarding for me as I am not good enough at it.<br />I wonder whether that is actually a problem
that other people have too when they have no prior game experience.<br />Does this maybe have something to do with
an inflexibility or (un)willingness to learn?<br />It would be interesting to see if there
could be any causal relation between the willingness and adaptability to new
technology and the willingness to try playing (new) computer games.<br />Nevertheless, I cannot say what a game
would have to be like so I would want to play it.<br />It would be interesting to see why certain
non-gamers do not like certain games if they are on the other hand adaptable to
all kind of other new media. Or are people that are playing computer games more
adaptable to other new media.<br />Are gamers more like to have ipod? This is
not so much related to the reasons for gaming but trying to establish the
difference of the relation and adaptability of gamers versus non-gamers to new
media.</span></p>



<p class="MsoNormal"><span style=""><o:p>&nbsp;</o:p><br />Lauwaert, M., Wachelder,
J.Van de Valle, J. (2007). </span><span lang="EN-US">Frustrating Desire: On
repens and reposito or the attraction and distractions of digital games. <i style="">Theory, Culture and Society.</i> Retrieved
from <a href="http://mcs.sagepub.com/">http://mcs.sagepub.com</a><i style=""><o:p></o:p></i></span></p>

]]>
    </content>
</entry>

<entry>
    <title>Portrait No.1</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2007/10/portrait-no1-2.html" />
    <id>tag:www.fdcw.org,2007:/0708/mukengekabongo//198.4989</id>

    <published>2007-10-24T13:31:49Z</published>
    <updated>2007-10-26T13:46:53Z</updated>

    <summary>Here is the link to my paper: Portrait No1.doc. Feel free to read it....</summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[Here is the link to my paper: <a href="http://www.fdcw.org/0708/mukengekabongo/Portrait%20No1.doc">Portrait No1.doc</a>. Feel free to read it.]]>
        
    </content>
</entry>

<entry>
    <title>Do media tell us what is real? Future research based on Baudrillard</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2007/10/do-media-tell-us-what-is-real.html" />
    <id>tag:www.fdcw.org,2007:/0708/mukengekabongo//198.4919</id>

    <published>2007-10-24T11:48:37Z</published>
    <updated>2007-10-25T08:38:54Z</updated>

    <summary> &quot;Mass Media might not tell us what to think but rather what to think about&quot; (Campbell in Mukenge Kabongo, 2007, p.34). This is the idea behind the agenda setting theory claiming that the audience attaches importance to issues due...</summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[

<p class="MsoNormal"><span style="" lang="EN-US">"Mass Media
might not tell us what to think but rather what to think about" (</span><st1:City><st1:place><span style="" lang="EN-US">Campbell</span></st1:place></st1:City><span style="" lang="EN-US"> in Mukenge Kabongo, 2007, p.34).<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-US">This is the
idea behind the agenda setting theory claiming that the audience attaches
importance to issues due to their representation in the media (ibid).<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-US">Constistent
with Baudrillard (2002), however, I think we would have to modify the sentence
and say "Mass media does not only tell us what to think about but they also tell
us what we are suppose to consider real."<o:p></o:p></span></p>

 ]]>
        <![CDATA[

<p class="MsoNormal" style=""><span style="" lang="EN-US">According to Baudrillard that kind
of reality has no origin in reality whatsoever and is pure simulacra and
hyperreality.<u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">I did a study on two popular soap
operas in </span><st1:country-region><st1:place><st1:country-region><st1:place><span style="" lang="EN-US">Namibia</span></st1:place></st1:country-region></st1:place></st1:country-region><span style="" lang="EN-US"> and its interpretation by Namibian teachers
with regard to their opinions on intercultural relations in </span><st1:country-region><st1:place><st1:country-region><st1:place><span style="" lang="EN-US">Namibia</span></st1:place></st1:country-region></st1:place></st1:country-region><span style="" lang="EN-US">. I compared teachers that watch and
those that do not watch these programs. It could not be simply concluded that
people that are constantly confronted with bad intercultural relations in the
media are necessarily unaware of intercultural relations neither that they
&nbsp;believe real life intercultural relations do not work. Nevertheless&nbsp;
their was a tendency of teachers that had real life intercultural relations to
demand equal representation and a media focus on the issue of integration in </span><st1:country-region><st1:place><st1:country-region><st1:place><span style="" lang="EN-US">Namibia</span></st1:place></st1:country-region></st1:place></st1:country-region><span style="" lang="EN-US">. (Mukenge Kabongo, 2007)<u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">It would be interesting to do a
larger scale content analyses of Namibian media to really assess the situation
on nation-building and integration. Bearing Baudrillard in mind, I would then
be able to make statements about how the media constitutes the reality on the
topic.<u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">At the same time however it would be
helpful to do audience analyses in order to check whether there is really a
connection in the media construction of reality and the interpretation of it. I
would then explore the extend to which people's&nbsp; assessment of reality
correlates with the media assessment, they are exposed to irrespective whether
or not they are content with how they think the situation is or how tolerant
they are. <u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US"><u1:p>&nbsp;</u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">Since I am in </span><st1:place><st1:place><span style="" lang="EN-US">Europe</span></st1:place></st1:place><span style="" lang="EN-US"> right now and not in </span><st1:country-region><st1:place><st1:country-region><st1:place><span style="" lang="EN-US">Namibia</span></st1:place></st1:country-region></st1:place></st1:country-region><span style="" lang="EN-US"> it would yet be more interesting to
do a similar project here, which was one of the reasons I wanted to come to </span><st1:City><st1:place><st1:City><st1:place><span style="" lang="EN-US">Maastricht</span></st1:place></st1:City></st1:place></st1:City><span style="" lang="EN-US">.&nbsp; I noted though that here the
issue is much more close to me and hence I get mixed up sometimes with my own
experiences and emotions about the topic, coming from a multicultural
background myself. I am particularly interested in integration in schools as
that was at least a very defining experience for me. Their would be various
angles that I could take on the topic choosing a philosophical starting point
as that of Baudrillard.<u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">I could analyzes media content on
integration for instance and see how this correlates to how teachers assess the
situation, taking into account that they might be confronted with integration
and its problems in school. Otherwise I could interview the pupils instead or
both to contrast the different assessment on the situation of integration in </span><st1:country-region><st1:place><st1:country-region><st1:place><span style="" lang="EN-US">Germany</span></st1:place></st1:country-region></st1:place></st1:country-region><span style="" lang="EN-US"> based on what assessment they got
from the media.<u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US"><u1:p>&nbsp;</u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">I could also talk about the
disappearance of racism from the media. I get the feeling that we cannot talk
about racism anymore, we are beyond that stage. It is like an old song no one
wants to sing unless it is remixed. This is in line with new racism. While
people claim there is no racism anymore, they tend to think that certain groups
threaten social values (Herbst in Mukenge Kabongo 2007). So actually the "
German with Turkish origin" (we are also insecure about the terms), who
does not get a job is lazy and does not want to work, does not want to
integrate. <u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">Obviously here and there the media
brings shocking reports about extremists in villages in </span><st1:country-region><st1:place><st1:country-region><st1:place><span style="" lang="EN-US">east Germany</span></st1:place></st1:country-region></st1:place></st1:country-region><span style="" lang="EN-US"> and the third generation immigrant
that disintegrate and become extremist but we are very careful if not scared to
take a stand towards issues unless they are extreme. It is not difficult to
condemn terrorism and extremism on all sides but there is lots of grey area in
between, where there is no public standpoint to it. I could explore if my
impression is actually in line with what is covered in the media on the issue.<u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">Or I could look at specific cases as
it sometimes happens that the media is all over a topic, suddenly enflaming
intense public discussions (normally after a while the topic is gone).<u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">If we take the former talk show host
and former ARD- news reader Eva Herman for instance, who was once one of the
most popular talk show hosts in </span><st1:country-region><st1:place><st1:country-region><st1:place><span style="" lang="EN-US">Germany</span></st1:place></st1:country-region></st1:place></st1:country-region><span style="" lang="EN-US">, a TV personality.<u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">In retrospect the media agrees that
she has made some weird comments and starting to take conservative and
anachronistic standpoints for a long time but now apparently she has lost it.
She was fired from 3Sat the German channel hosting her talk show, as she did
not want to take back the comments she made about the better structure and
family values in the 3<sup>rd</sup> Reich.<u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">Then she was invited to another talk
show Johannes B. Kerner and she was kicked out for her controversial opinion
according to the boulevard press like the <i>Bild Zeitung</i><u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">Right extremist supporters and right
wing supporters of the DVU political party apparently announced that they would
want to support her and demonstrate for her right to freedom of speech.
Herman on the other hand says she would sue the DVU as she does not want to
be related to them although she allegedly already attended an event of another
right wing party. She feels she is the victim of media slandering and tries to neatly
comment on everything on her own homepage.<u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">And I do not really know what her
opinion is and what she means but it has become a media discussion and she does
not have control over it nor do we, the public know anymore what really
happened and what she said. There are various interpretations on all sides
always coming to different conclusion depending on who is trying to make a
point. Did she just wake up and had these ideas one day or is the media only
now pointing our attention towards these ideas. This would also be an
interesting case study to apply Baudrillard.<u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US"><u1:p>&nbsp;</u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style=""><span style="" lang="EN-US">References<u1:p></u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style="line-height: 150%;"><span style="" lang="EN-US"><u1:p>&nbsp;</u1:p></span><span style="" lang="EN-GB"><o:p></o:p></span></p>

<p class="MsoNormal" style="line-height: 150%;"><span style="" lang="EN-GB">Baudrillard,
J. (1994 [1981]). <i>Simulacra and Simulations</i>. Engl.transl. Sheila Faria
Glaser.<u1:p></u1:p><st1:City><st1:place> </st1:place></st1:City></span><st1:City><st1:place><span style="" lang="EN-GB">Ann Arbor</span></st1:place></st1:City><span style="" lang="EN-GB">: </span><st1:place><st1:PlaceType><st1:place><st1:PlaceType><span style="" lang="EN-GB">University</span></st1:PlaceType></st1:place><span style="" lang="EN-GB"> of </span><st1:PlaceName><st1:PlaceName><span style="" lang="EN-GB">Michigan</span></st1:PlaceName></st1:PlaceName></st1:PlaceType></st1:place><span style="" lang="EN-GB"> Press.<u1:p></u1:p><o:p></o:p></span></p>

<p class="MsoNormal" style="line-height: 150%;"><span style="" lang="EN-GB"><u1:p></u1:p><u1:p>&nbsp;</u1:p><o:p></o:p></span></p>

<p class="MsoNormal" style="line-height: 150%;"><span style="" lang="EN-GB">Mukenge
Kabongo, S.(2007). A Study of intercultural communication and integration
through the media in </span><st1:country-region><st1:place><st1:country-region><st1:place><span style="" lang="EN-GB">Namibia</span></st1:place></st1:country-region></st1:place></st1:country-region><span style="" lang="EN-GB">. <i>Analyses And Views</i>, 4 (1),
1-40.<u1:p></u1:p></span><o:p></o:p></p>

<u1:p></u1:p>]]>
    </content>
</entry>

<entry>
    <title>Camera Reality</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2007/10/camera-reality-1.html" />
    <id>tag:www.fdcw.org,2007:/0708/mukengekabongo//198.4996</id>

    <published>2007-10-23T20:33:20Z</published>
    <updated>2007-10-26T20:38:27Z</updated>

    <summary>Renzo Martens went to Chechnya in 2002 to do his art film Episode 1, which critically explores the role of camera in conflict reporting or in general reporting by pointing it back at himself. (You can check out this blog...</summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[<p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><font face="Times New Roman" color="#000000" size="3">Renzo Martens went to Chechnya in 2002 to do his art film Episode 1, which critically explores the role of camera in conflict reporting or in general reporting by pointing it back at himself. <a href="http://www.culiblog.org/2006/03/episode-1-emergency-food-distribution-and-the-role-of-the-cameras/">(You can check out this blog about the art film) </a></font></span></p>
<p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"></span><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">One aspect, which really made me think was the situation in which he asks a Chechen woman<span style="mso-spacerun: yes">&nbsp; </span>how she feels and as an answer she points at the bombed building behind her.<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></font></span></p><span lang="EN-GB" style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: DE; mso-bidi-language: AR-SA"><font color="#000000">We would be satisfied with that but Martens explores the issue further and tells her that seeing the bombed building will not make us understand how she feels.</font></span>]]>
        <![CDATA[<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">And they both end up helplessly standing in front of each other in bombed streets, realizing they cannot think of a way that would make people elsewhere understand how she feels. The camera will not bring us closer to her misery or to grasping the situation and its human consequences.<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><font color="#000000"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB">I would have been satisfied with a bombed building as an explanation, but (fortunately) never having been confronted with such a reality</span><span lang="EN-GB" style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><strong>,</strong></span><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"> what does bombed building really tell me?<o:p></o:p></span></font></p>
<H1 style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><font face="Times New Roman" color="#000000" size="3">The concept telepresence entails being 'present' in a distant location with means of telecommunication devices, while the distant location is part of our environment too when we are observing the remote place (Campanella, 2000, p.27).</font></span></H1>
<H1 style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><font face="Times New Roman" color="#000000" size="3">What if we apply this concept to television and conflict reporting?</font></span></H1>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">We are present in conflict areas in distant places and they are present in our environment at least for the 2 minutes that the report lasts. But how real is this presence?<o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">How comes for instance that I can tell the difference between a report about Africa and the Caribbean even without them mentioning the name? And I have only been to few African countries and I have never been to the Caribbean. I have seen pictures of Africa and the Carribean and they always follow similar patterns making it recognizable even if they might not have much in common with the reality of being there. (Unless it is about Haiti that might look like Africa sometimes).<o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">How much does the camera reality, which is selective concur with our assessment of reality?<o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">Sometimes the media is (fortunately) the only channel though which we experience war, hunger, problems and situation assements in foreign countries, like a vicarious experience.<o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">Does media reality in this case replace reality as it is our only source and hence it is hyperrealist, pure simulacrum?<o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">I know this leads me back to Baudrillard again. I have been trying to think of the other theories but it seems that I always end up with Baudrillard, maybe because it fits well to our present situation. <o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">In an interview Baudrillard (1988) explains that the moment an event exists as media content and is disseminated as such it looses its reality principle. It is impossible enquire about the original reality or unreality ( Baudrillard, 1988, p.146). That is surely true if we only know the place and the problem via the media. We cannot check if it is actually the way it is represented.<o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">Media knows how to report on certain events even before they happen, which is why I recognize the report about Africa without the reporter telling me where it is. (It might be about wildlife or poverty and war.)<o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">How much are we influenced by these visual stereotypes about war and certain regions and what does that really tell us about the impact?<o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">This question could be explored by using a case such as the Democratic Republic of Congo (DRC) as Renzo Martens is making an artwork about that and I expect it to be equally provoking as Episode 1. Then I could analyse coverage about DRC in contrast to the points the art work makes with critically looking at reality and hyperreality and its consequences. <o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">&nbsp;<o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">References:<o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">&nbsp;<o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><font color="#000000"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB">Baudrillard, J. (1988). The Work of Art in the Electronic Age (interview). </span><span lang="IT" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: IT">In : Mike Gane (1993) (Ed.). </span><i><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB">Baudrillard Live. Selected Interviews</span></i><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB">. London: Routledge, pp.145-151)<o:p></o:p></span></font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB"><font color="#000000">&nbsp;<o:p></o:p></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB" style="FONT-WEIGHT: normal; FONT-SIZE: 11pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-GB; mso-bidi-font-size: 12.0pt"><font color="#000000">Campanella, T.J.(2000). Eden by wire. Web cameras and the telepresent landscape. In Ken Goldberg (Ed.), <i style="mso-bidi-font-style: normal">The Robot in the Garden. Telerobotics and Telepistemiology in the Age of the Internet</i>. Cambridge (Mass.): MIT Press.<o:p></o:p></font></span></p>]]>
    </content>
</entry>

<entry>
    <title>Reflections on the course: Convergence, Participation, digital devide&amp;my web 2.0 analphabetism</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2007/09/reflections-on-the-course-conv.html" />
    <id>tag:www.fdcw.org,2007:/0708/mukengekabongo//198.4818</id>

    <published>2007-09-28T13:20:20Z</published>
    <updated>2007-10-04T08:19:02Z</updated>

    <summary>The course transformation in media culture has been our first module in our program media culture and it has been quite and introduction. Even if I did study media studies, the texts were new to me. The whole idea of...</summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[<span style="font-size: 12pt; font-family: &quot;Times New Roman&quot;;" lang="EN-GB">The course
transformation in media culture has been our first module in our program media
culture and it has been quite and introduction. Even if I did study media
studies, the texts were new to me. The whole idea of trying to scholarly sketch
something that is happing right now is like entering new terrain for me. It
actually feels like one of us could come up with theories and we can also be
part of the current debate.</span><span style="font-size: 12pt; font-family: &quot;Times New Roman&quot;;" lang="EN-GB"></span> ]]>
        <![CDATA[



















<p class="MsoNormal"><span style="" lang="EN-GB">Convergence
culture gave us a broad idea about how we could see and analyse the world that
we are living right now. We have the possibility of participating and consuming
and producing cultural content or media content at one , while this content can
be accessed and disseminated via various platforms (Jenkins, 2006). <o:p></o:p><br />Jenkins
(2006) also sees the democratic potential of participatory culture while for it
to be realizes we would have to address barriers to participatory culture. <o:p></o:p><br />One barrier
would surely be that in relation to the world population very few people have
access to internet and there is surely a difference in the degree of access
people have.<o:p></o:p><br />While I was
in Namibia, I had no internet at home as it is very expensive. It costs like
100 Euros just for the connecting and then you did not pay for using it yet. So
I had to get used to not using the internet that much. I went to the internet
café once a week to write emails, which I would write in advance on my home
computer and if I had to research something for university I could in my senior
year use the media lab but we had limited access to it.<o:p></o:p><br />So I did
not have a face book account, watch youtube videos etc. <o:p></o:p><br />I feel a
bit left behind now that I am back and my friends tell me to get a studivz
account (German face book) , myspace website or watch series on alluc.org <o:p></o:p><br />Although
there were students in Namibia that had all these thing and memberships, I
always felt since I did not have internet at home I would not have the time to
just log, update and comment.<o:p></o:p><br />And
fanculture and gamingculture is also still kind of distant to even if we do
have a playstation at home (my little sisters'). So far I always considered it
as something that I do not really want to be part of, as something that is
rather anti-social...Alright actually I haven't really thought about why I never
wanted to participate in it, so know I am trying to make up explanations.<o:p></o:p><br />Well, I am
looking forward to the gaming module, because maybe this Master is a chance
understand this new culture.<span style="">&nbsp; </span><o:p></o:p><br />So far in
terms of participation and<span style="">&nbsp; </span>all the new
'things' I feel like my own grandmother.<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><!--[if !supportEmptyParas]-->&nbsp;<!--[endif]--><o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="FR">Jenkin, H.
(2006). <i>Convergence Culture. </i></span><i><span style="" lang="EN-GB">Where Old and New Media Collide</span></i><span style="" lang="EN-GB">, p.1-24. New York &amp; London: New
York University Press.<o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><!--[if !supportEmptyParas]-->&nbsp;<!--[endif]--><o:p></o:p></span></p>

<p class="MsoNormal"><span style="" lang="EN-GB"><!--[if !supportEmptyParas]-->&nbsp;<!--[endif]--><o:p></o:p></span></p>

]]>
    </content>
</entry>

<entry>
    <title>Possible further development, Convergence: Ideas</title>
    <link rel="alternate" type="text/html" href="http://www.fdcw.org/0708/mukengekabongo/2007/09/possible-further-development-c.html" />
    <id>tag:www.fdcw.org,2007:/0708/mukengekabongo//198.4816</id>

    <published>2007-09-28T13:18:34Z</published>
    <updated>2007-10-04T08:28:45Z</updated>

    <summary> Since in universities there is usually some kind of access, I would find it interesting to compare the media use of students at the University of Namibia to the media use to those of the University of Maastricht, for...</summary>
    <author>
        <name>mukengekabongo</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.fdcw.org/0708/mukengekabongo/">
        <![CDATA[



<p class="MsoNormal"><span style="" lang="EN-GB">Since in
universities there is usually some kind of access, I would find it interesting
to compare the media use of students at the University of Namibia to the media
use to those of the University of Maastricht, for instance. Maybe it would be
possible to establish acceptability of convergence culture.<o:p></o:p><br />And don't
get me wrong: They do have the latest phones with camera and internet, mp3
players, ipods etc..and they do pay much more for it. In the case of phones for
instance they do not get them with a contract, they buy them. So are they
actually more willing to participate in this whole new convergence culture even
if participation is not only more difficult but it literally comes at a higher
price?<o:p></o:p></span></p>

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